Before her
death in 1997, Dulcinea wrote 63 brief but sexy stories, each
giving us an intimate glimpse of a nice, ordinary young man and
a nice, ordinary young woman in the midst of a nice ordinary life
together.
The stories,
though, are anything but ordinary; they are light without being
trifling, simple without being superficial, straight-forward without
being tedious or mundane. They glisten. In the Dulcinea story,
whether we find our couple at work or play or engaged in the typical
tasks, activities, and situations of modern life, inevitably sex
ensues--lubricious, serious sex, but sex that is fun and spirited
and joyous and always in the service of love.
We don't find
pain or tragedy or a trace of threat. We don't see stress. We
don't encounter the difficult problems of the world or the darker
problems of a modern marriage. The partners may tease each other,
but care, respect and love are implicitly behind every action.
Love as expressed through sex wins the day. This is not to say
that Dulcinea stories are without tension, without rising action,
without climax. As you might expect, the tensions in a Dulcinea
story revolve around sex and resolve with sex. Getting the couple
together that way is the crux of it--they can't just fall into
fucking. Much of the charm of a Dulcinea story is the graceful
way Dulcinea's couple manages to come to satisfaction. And Dulcinea
works her magic using few if any props or secondary characters,
no extraneous descriptions, no tricky plot complications; she
uses ordinary settings and situations, yet her characters and
stories feel full and rich, and they satisfy us as well as themselves.
The little twists which sometimes grace the ends her tales only
enhance our sense of her characters' well-being: Goodness in Dulcinea's
world goes on and on.
It is that
goodness we hope to honor with this Dulcinea Memorial Writing
Festival.
In tribute
to Dulcinea, we have asked writers to celebrate Dulcinea by writing
stories which embrace her themes, her style, and her spirit. It
is those stories we are pleased to present here. This was not
a trivial assignment: Dulcinea's writing seems easy, graceful,
almost effortless--the language is fluid, the plots simple, the
pace perfect, but the best of her stories are perfect cameos--they
are not simply snapshots of good sex. Writing such as this is
rare. Stories such as these are rare. We were so lucky to have
her.
The Festival's Directorate:
Rui Jorge ([email protected])
Mat Twassel ([email protected])
Father
Ignatius ([email protected])
Note:
Dulcinea's stories can be found
at /~BitBard/forray/dulcinea/
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