Newsgroups: alt.sex.stories
From: an2154@anon.penet.fi (Equus)
Subject: Catherine The Great (scifi, interspecies)
Date: 16 Dec 92 23:53:53 GMT

Angry red and orange of Ching Tai Optics image enhancer... "... Jojo
left his home in Tucson Arizona / For some California grass... "...
Grey bullet wrapped around my legs, silver where the air-film
clings... "Ichi, ni, san, chi... " The moon shining in cold blue
pseudo-colour of the SysCyber and she sings to it and it isn't even
hers... "... I've got the brains / you've got the looks / let's make
lots of money... "... "Lover" sings the bullet... "... Now look at me
like a Stormtrooper in Drag / I bet you feel exactly like I do... "...

	    The Life And Adventures Of Catherine The Great
		 Talking Mining Colony Holovid Blues
				  by
				Equus

	"Showtime!!"

	I groaned as a loud drum roll echoed through the air followed
by a shrill major-chord fanfare of synthesizer horns and strings
backed by a slippery fretless bass glide. I rolled off the inflatable
into the warm water of the Silvermoon's tank and with a couple of
strokes I reached the edge and climbed out. A nasal voice began to
sing a lyric over the relentless urgency of the music; as ever, I
hadn't a clue what the words were, my half-sleep state making my
incomprehension that much more acute. Picking up a white bathrobe that
lay at the poolside I put it on, savouring it's seductive touch on my
wet skin as I tied the cord around my waist.

	"Turn it down for God's sake, I moaned. The volume diminished
a trifle. "How can I concentrate to kick the software into action with
that unholy row."

	"This is your culture Greenacre!" the voice of the captain
came from above and beyond the pool wall, probably from the engineer's
console; "late twentieth century, Gary Numan even! Have you no soul
you philistine!"

	I groaned in reply "Yes I know, `We Take Mystery To Bed' 1982,
Beggars Banquet Records. I like it but I prefer to be awake to like
it." I closed my eyes and concentrated:

++ SysCom Cyber Corporation ++
++ Cyber 8 Cerebral Enhancer ++
++ Concurrent N.O.S  v5.3 ++
++    ++ Initializing...
++
++ System OK.
++ Biomonitor - Blood sugar  -20%   nominal
++              Blood press  70/115 nominal
++              Blood O2/CO2        nominal
++ OK


	The green characters flitted across my vision, appearing as
though they were half a meter before my eyes; they weren't, of course,
they were being fed directly to my optic nerve from the biochip
implant in my cerebral cortex, a SysCom 8, one of the third generation
models that I'd had fitted at the same time as the vocal chord range
extension and the Ching Tai Optics system fitted to my left eye.
Hell, wasn't that an operation to remember! I thought of the word
"chronograph" and the green characters vanished to be replaced by a
row of figures in the peripheral region of my vision which informed me
that the time was 0822(shipboard) and the date was the fourteenth of
July 2332.

	I opened my eyes and willed the green figures away and duly
away they went. "Well, where's the show this time?" I asked as I
climbed the spiral stairs to the middle level of the bridge. Sliandra
looked up from the main drive console as I reached the top of the
staircase, her green cat eyes shining from her pointed leopard face,
framed by the golden yellow of her flowing mane. I would never quite
get used to seeing her. She was a Leopard caste Amthren, a race
descended from feline analogues on a world in the Rishthrane Sector,
one of the races that had found we Terrans rather than the other way
around. According to the history books, we'd called them "Were-Cats"
at first; indeed they looked like some sort of a bipedal cross between
a tall human and one of the Terran great cats, but that was before
we'd learned each other's language and before we'd learned of the
business acumen of the leopard-caste. I'd first met her on Track's
World towards the end of the Dralasite Conflict in the summer of `29.
With my usual lack of discretion I'd taken a job as a mercenary pilot,
flying an antique mark 3 Stinger fighter for what turned out to be the
losing side. My stolen single-seater just about made it to Track's
where I had run across Sliandra smuggling arms to the winning side and
in need of a good pilot.

	Sliandra stood up and put her spotted furry arm across my
shoulder. "Party time is out in the Urgenic Deeps, a mining colony,"
she said in her lightly accented English.

	"Terrific, three weeks sub-light from any half-way safe jump
zone and then we have to find a way through the mag-storms," I
grumbled.

	There was a whistle from the pool below, and a squark,
followed by a strange cross between the two. It was a curse in
Delphine which roughly translated into "Your mother fucks sharks,"
which is a pretty heavy expletive in anyone's language, in Delphine it
was very heavy indeed. Sliandra and I looked over the rail to the pool
below; Silvermoon was swimming in lazy circles. She whistled again:

	"The last time I was there we nearly got wiped by a freak
storm, I don't want to go back! Come back to bed Peter!" the last was
added in a falling cadence, a heartfelt entreaty. Sliandra shot me a
look of stifled humor and I grinned back.

	"I'd love to Silver, but The Chief has a job for us," I
warbled back in Delphine, invoking the SysCom to pull my modified
vocal chords to make the necessary sounds. Silvermoon turned a slow
somersault in the pool before protesting about the earliness of the
hour and that she wanted something to eat before calculating the jump
vectors.

	I smiled as she swam for the exit tunnel. She had been serious
in her offer of a return to her bed. We had been lovers for almost as
long as I had served under Sliandra's command. I remember reading that
the first trans-species bonding contract had been ratified back in
2098, seven years after the communications breakthrough between our
two races that followed the Honshu Incident. Dolphins were a common
sight around the spacelanes, their natural psi abilities making the
mind warping task of translight navigation relatively trivial.
Slightly less common was pair-bonding between our two species, but we
shared an unstoppable curiosity and so it was not unknown for certain
individuals to, shall we say, experiment.

	"You haven't asked who we're flying for yet," said Sliandra.

	"I almost hate to," I replied, "but you're going to tell me
anyway, right?" "Fat Charlie," she said with a broad smile which
exposed her wicked looking teeth.

	"Oh Hell's Donkeys! Not The Archangel."

	"The very same. And there's more; we're shipping mucky books."

	"Pardon?"

	"Erotica, Pornography, Holovids and Simstim's of reproductive
behaviour."

	"You're kidding!"

	"No, it's on the beam! Apparently out on the mining colonies
there are nowhere near enough Stepfords or real females to go round
and a chronic shortage of reading literature; first out there with
some good clean fun is going to make a killing!"

	"Let me guess: chronic imbalance between the sexes out there"

	"Eight hundred to one at the last count; one hour with a
Stepford sets you back five hundred Galcreds."

	"Szjat!"

	"So you see, plenty big Galcreds for Mr Archangel if he gets
there first, and plenty big rake off for pretty leopard, pretty
dolphin and not-so-pretty human into the bargain."

	I shook my head, smiling at Sliandra's favorite way of
referring to her crew. "Why aren't we shipping Stepfords instead."

	"Two reasons I can think of," said Sliandra, licking her left
forepaw and starting to wash behind her ears: "First up, a good
quality cybernetic streetwalker is going to command a purchase price
of 10k Creds at least, and all Stepfords are custom built remember so
the lead- time is horrendous. Second, they have no room for them up
there and so our kind sponsor is getting us to haul some top quality
porn for him. Ahh, that's better." She added the latter as she
scratched under her chin with her forepaw.

	"Knowing Fat Charlie the Archangel, it won't be top quality;
nothing of his ever is." I gave a rueful grin, the fast-cred and shady
deals of our irregular client were well known.

	"We shall see; we load Charlie's crates and some top-flight
laser mining kit which he's also selling to MagCorp at nine hundred
hours, dock Lima Nine, out by ten thirty and if pretty dolphin gets
her fishy act together we go translight by midday. So take your places
gentlemen please and let's get this show on the road!"

	She indicated the pilot's chair, raised on a dais on the
middle deck behind the helm. As I took my place and began to invoke
the docking release procedures the old Paul Simon song "Crazy Love"
came over the JBLs installed in the roof of the flight deck - the song
which had caused Charlie DaPalma to be known as "Fat Charlie the
Archangel" to the crew of the SpaceFreighter CSF367/66 Catherine The
Great ever after.

	It had soon become apparent that translight by midday was off
the cards when Sliandra had appeared in the docking bay at nine
fifteen carrying her black attache case. I was supervising the loading
of Fat Charlie's dubious crates and the rest of the cargo when she
wandered across to me.

	"I'm just off stationside; I have a little business to attend
to."

	"There aren't, perchance, any manifest disks in there are
there?" I said with a smile. She rattled the case. From within came
the chink of bright steel chains and who knows what else.

	"Are there ever?" she said back and, with a jaunty stride, she
walked down the loading ramp towards the travel tubes. That's my
captain, never let business get in the way of pleasure.

	True enough it was fifteen hundred hours before I nosed the
bulk of our Spacewhale from the cargo bays of Rigel 2's transit
station and out on impulse power for the jump zone. Silvermoon and I
were both wired up to Catherine's computers and we idled the time away
by playing a game of speed-chess between course alterations and vector
recalculations. I had just gained the upper hand in the fifth game
when we were interrupted by Rigel control.

	"Sliandra," whistled Silvermoon, "warm up the charms; Rigel
have given us the next path out."

	"Got it. Charm drives leaving pre-ignition state for hot
standby," came the Captain's reply, the ship shuddering briefly as the
magnetic plasma bottles fired into life in a flip of electronic
switch-states, holding within their annular swirls the myriad swarms
of the monsters of quantum physics.

	Flipping my computer into synch with that of the drive' I was
treated to a brief subliminal flash of the triple-starred and
skeletonned "Psi Hazard Warning" logo and the message that prolonged
use of inertial simulators can lead to distortions of mental acuity,
followed by a short message from the Hawkins Corporation telling me to
have a nice day. Then came the solid green characters:

++ CHARM DRIVE STATUS -  HOT STANDBY  ++

++                    -  HELM CONTROL ++


	My vision flipped to an external view of the the ship, a view
supplied by her computers directly to my visual cortex. The gravity
lines of local space superimposed themselves in white upon the
blackness of space, a distant ship a red pyramid with the words
"CPV890/75 Aleister Crowley" floating beside it, Rigel 2 a purple
distant sphere, red lines marking incoming and outgoing flight
vectors. A green dot flashed before me indicating that drives were now
under my mental command and I started to invoke the ignition sequences
for the neutrino pulse that would flip Catherine The Great across two
hundred parsecs of space on a wave of tachyons.


++  INCOMING TRANSMISSION - JUMP WILL BE SUCCESSFUL  ++

	Silvermoon received the same message, whistled her readiness
and, with a flicker of concentration I put the charm drives online.

	Twenty seconds before we left Rigel we arrived at Urgenic
Deeps Jump Zone T4. The Charm Drives entered their wind-down sequences
and Sliandra transmitted the message we received before we began our
journey across the vastness of space. Tachyon travel was incredibly
safe; you knew if your jump was successful before you made it; if you
didn't receive a clear jump message it meant that you made the jump
wrongly, transmitted a "No Jump" message and flatlined the charm
ignition sequence and so you never made the jump in the first place
and, therefore, never transmitted a "No Jump" in the first place.
Yeah, I don't understand it either and I've flown charm drive ships
for fifteen years. The trick to FTL travel was getting to the right
place first time as "Clear to jump" signals had to be transmitted as
soon as you came off the wave. Silvermoon soon let us know that we had
got where we wanted to be by leaping from her pool with a squeal.

	"Right on the button! Am I beautiful or am I beautiful!"

	I put Catherine The Great into a 50 kiloclick elliptical
intercept of the last calculated position of the mining colony we
sought, angling the ship to spiral up and out from the gravitational
whirlpool we had created by our arrival, flying along the distorted
white lines of the tortured gravity field, the turns and climbs and
impulse-drive acceleration seeming to push me back into my seat as the
inertia simulator fed my brain with the fantasy that I was
experiencing G- Stress. I admit to being one of the old-school of
pilots; I found flying a lot easier on hallucinations.

	"Yes my darling," I transmitted to my lover over the intercom,
"But let's get out of this gravity well before we celebrate."

	Five minutes later, just as I DSed the Upcom, Sliandra brought
the McKinley Outboards up to power and we accelerated to a smooth one
tenth the speed of light, Silvermoon retracting the shields from the
front of the ship and guiding us on visual towards the flickering blue
star where lay MagCorp's selenium operation and twelve thousand lonely
ore-jockeys.

	The lights had dimmed for the night-cycle on Catherine The
Great's flight deck as I slipped into Silvermoon's pool, the water
that enveloped me seeming to flow forever into the deep blue-blackness
of the endless night of space. The ship flew onward to our destination
on autopilot, the sleeping SysCom set to interrupt me should the
Spacewhale's systems detect anything untoward. I swam to the spaceward
rim of the pool and looked out to the myriad stars and galaxies.
Something brushed across my dangling legs and moments later a grey
shape broke the surface of the water beside me. Reaching over I
caressed the pointed snout that angled itself towards me, her skin
smooth and soft to the touch. She opened her mouth, making a clicking
sound in her throat. Delphine sweet nothings, simple sounds that
bonded us together as tightly as any contract. She pushed past me, my
hand slipping across her back and to the side of her dorsal fin. She
dived, spiraling around my legs, her teeth nibbling playfully at my
legs as I seized hold of her tail, allowing myself to be pulled
underwater, using my purchase to pull myself up her back to seize hold
of her dorsal as we glided through the dark water, slowly surfacing to
breathe together in a shared gasp. I loosed my hold of her and she
turned around with a languid flip of her powerful tail to slip like a
shadow towards me.

	"Love?" she asked, the sound a tiny, delicate thing in the
Delphine language.

	"Love," I replied as she nosed into me and I took her head in
my hands and let her push me backwards so that her lithe, warm body
covered mine, the word no less tiny and sweet in my tongue. As I went
under I wrapped my legs around the back of her strong tail and we
pressed our bodies close to each other. Deep below her skin I could
feel her heart beating slow and mighty within her graceful frame. I
felt a wave of comfort breaking over me, my eyes closed and my breath
held but my mind afire with love and wonder at the flowing beauty that
I embraced in our sub-aquatic ballet.

	Like quicksilver we flowed through the dark waters of the
pool; our light was the glow of the stars and our bed was of warm,
still water. We surfaced together, again breathing a single gasp, and
again we dived into the spectral roaring silence of the pool, an
underwater silence of low sounds and heartbeats, spiraling by degrees
down into the depths as though we could have swum together among the
shoals of stars, the gas- cloud shallows and the deep emptiness of
space that surrounded us. My lover lay on her back when we next
surfaced, deliberate movements of her tail keeping us afloat in her
microcosmic ocean.

	"Lover... " she trilled, the sound splashing through the
surface of the water.

	"My Beauty," I whispered in return.

	No more words were necessary in her language or mine; indeed,
in those times before our peoples had spoken, each to each, no words
could have expressed the unity of our hearts and souls. And no words
could do so now. With a twist of her sinuous frame she brought us to
the brink of intimacy and, for our shared love and with endless
gratitude, I slipped inside her. We both gave a cry as I gained
possession of her and she of me, sliding deep into the liquid cave of
her passion. Her sleek grey body pushed hard against me and I held her
as tightly as I could to my chest, my head pressed against the
underside of her beak, my legs entwining around her tail, weaving a
tapestry of human and dolphin threads. I lay deep within her, drinking
the sensation of her hot, damp cleft wrapped tight around me. We
dived again, turning a somersault in the silent waters. I clung as
firmly as I could, keeping hard and fast within her, her puissant
muscles that propelled us causing her molten warmth to tighten and
relax endearingly around me. We both gave a cry of ecstasy as we broke
the surface, gulping air as again we dove below the surface, her
grey-blue delphine shape sparkling with the starlight that seemed to
shine in constellations from her night black eye.

	Countless were our turns that night, countless the spirals and
volutions of our lovemaking. For an age our essences mingled in
glorious synergy in the limpid salt waters of the pool, our skins wet
and shining, clinging hard and furious to each other, my hands roaming
over her glistening body as we turned and rolled before I spilled my
soul deep within her body. The endless, immortal night spun on towards
eternity as we drifted apart for a moment, the pearls of our lust
scattering throughout the waters.

	Then together we lay.

	We wept as we lay together on the hydrostatic bed, my head
supported above the water, the bed on which we lay submerged some
twenty centimetres below the surface of the pool, her head across my
chest shiny silver and weighty. For our love and for each other we
wept: weeping tears of thankful, poignant joy for our sharing of the
gift of life, weeping gentle tears of devotion to the salt water for
the gift of each other. There are those that will tell you that a
dolphin cannot weep. But they are wrong. As we lay still and I held
her, tracing the line of her permanent smile until she opened her beak
and she nibbled my hand with a gentle, caressing pressure, we wept for
the pleasure and the beauty of our company and our love.

	And then together we slept.

	The rest of the journey to the mining colony was, from a
pilot's point of view, uneventful. Two days into the journey Sliandra
with the assistance of Catherine's computers finally cracked the entry
codes for fat Charlie's cargo pods. Inside the first one we opened was
a note from the Archangel himself which congratulated us on breaking
the codes; he may have been a shady customer but he had a sense of
humor. Contrary to expectations his wares were of quite a high
quality but, as is ever the case, the product was of mixed artistic
merit. We watched a few of the holovids whilst sunning ourselves
around Grecian splendor of the flight deck pool, awarding them points
as we watched the bump and grind and dubious dialogue. Sliandra
performed as Master of Ceremonies for our entertainment.

	"Ladies and gentlemen," she began, "for your further viewing
pleasure this evening, Archangel Productions are proud to present,"
there was a pause as she checked the label on the HV disc:
"Satraganarius Sex Party."

	Silvermoon and I fell about laughing. Silvermoon, squeaking
her chortles, back-flipped across the pool, drenching Sliandra in the
process.

	"Careful, you'll damage the merchandise!" roared Sliandra as
she started the recording.

	We counted thirty two seconds between the two actors meeting
to the moment he climbed on top of her. The dialogue consisted of
stilted, badly rehearsed phrases and groans, the actors kindly
informing us when they were coming, Silvermoon informing us that she
had never fully understood the phrase "I'm coming" as it always
sounded like the speaker was trying to catch up with their partner. I
reached over the edge of the pool, laughing as she rubbed against my
arm that dangled in the water. The Delphine phrase for the moment of
bliss that the actors so cruelly were massacring in three dimensions
above our heads approximately translated into human speech as the word
"together". Sliandra consulted the manifest printout that we had
found alongside Fat Charlie's note. "Hey you two, there's one here
called `Dolphin Lust'"

	"Seen it!" we chorused from across the pool.

	"Any good?"

	"Sharkbait!" whistled Silvermoon. "We saw it at the pleasure
complex on Kapella last year, based on a scene from a late twentieth
century celluloid format movie."

	"Easy Travel to Other Planets?" asked Sliandra.

	"Yes, sort of a graphic rendition of the love scene; totally
ruined the atmosphere of the original," I replied.

	"Caused a hell of a fuss when it came out in nineteen ninety
seven you know. Music was by a band called Riding The Nightmare, got
the soundtrack about somewhere," volunteered Sliandra, yet again
astonishing us with her knowledge of late twentieth century Terran
trivia.

	"Oh, here's a good one," said Sliandra, consulting the
manifest further, "It's called `Kiss My Whip'."

	Again, the flight deck was rocked by laughter.

	The holovid flickered to show the image of tall Terran woman,
dressed in nothing but a maid's white serving apron and carrying a
tray of drinks, her ankles were manacled together.

	"Rrawor, pretty," murmured Sliandra.

	The music was dreadful, a sort of pastiche of the Western
Spiral Arm pop music known as "Speed House" from the last five years;
loud, brash and in two-four time. Eventually Sliandra killed the music
track while leaving the dialogue track online and superimposed the
music of a gentler era over the images; quite nasty ones too but the
use of camera angles and the somewhat unconvincing screams of the
victim making it obvious to all but the most committed and uncritical
sadomasochism fan that this was not for real. By the time I nosed
Catherine into the shuttle bays we had awarded the prize for worst HV
to a truly horrendous piece of work which rejoiced in the title of
"Mud Wrestlers of Lesbos." Mind you, we had taken copies of a few of
the choicer HVs. "Just in case we get bored on those long crossings,"
Sliandra claimed.

	It didn't take Sliandra long to get bored. We shipped out of
docking bays of colony Manta Seven a mere four hours after docking.
Their facilities were primitive to say the least and I was not sorry
to be heading back to civilization. We were hauling a cargo of ultra-
refined alpha grade selenium. It had cost us the entire proceedings of
the inward run to buy the purified metal but Sliandra assured us we
could double our profits with the right buyer. We also carried a new
piece of software in Catherine's databanks; Sliandra had hacked into
the colony's computer and had appropriated a copy of a shiny new
Unisis CAD program. Whereas Silvermoon and I spent the return journey
to the jump zone watching the stars and playing chess, Sliandra
occupied herself with a copy of a HV whose subject matter paralleled
her own special interests and attempted to improve on the device
depicted therein, the CAD package producing a three dimensional
holographic projections of curious devices formed from steel wire,
plastalloy girders and chrome plated chain. As to myself, well I do
confess that I snuck a look at the dolphin video again...

	By the time we reached the jump zone we had a buyer for our
metal on Kapella and a tidy profit from the whole operation. Sliandra
had also decided that she wanted a change of decor on the flight deck
from Classical Greek to Gothic which meant a dry dock break of at last
three weeks on the planet famous for its pleasure domes. This was a
cause for celebration for all of us but I shuddered at the thought of
what sort of ship I would be returning to.

	It was a thirteen hour flight to the spaceport. Kapellan
sector regulations insisted on a thousand-click separation between
ships and a vector speed of no more than 0.03c for incoming vessels.
We let the computers fly us in during the night-cycle and, at twenty
one hundred hours I left Sliandra on the bridge haggling over the
Dirac for a refit at a reasonable price.

	During Catherine's last refit (from 1920s Terran Art Deco to
Terran Classical Greek) Silvermoon and I had combined our two cabins
into one so that our cabin looked like the front of a temple to
Poseidon with a large pool stretching out before it. The walls were
curved and HV systems built into them were capable of projecting the
illusion that the pool was merely an inlet of the crystal blue Aegean
sea. The projectors were running as I walked in, giving the appearance
that I had entered the room from an antechamber of the pillared hall
of the temple of the Sea God. A white-sailed ship cruised far out to
sea as the sun set as if behind the temple, the waters of the wine-
dark sea reflecting back the warm golden rays. Silvermoon floated on
the surface of the pool, her eyes half closed, her flukes sill and
relaxed. Quickly throwing off my clothes I slipped into the pool
beside her, floating on by back in the warm salty water.

	"You're pining again," I said softly.

	"Yes" she replied in English; "I miss the pull of the tides,
the feel of the old sun upon my back, the... the... " She trilled a
delphine word which had no translation in human languages. The word
expressed the peculiar sensation a wave breaking had upon the skin of
a dolphin.

	"I know," I replied; I miss Earth too: the crisp air across
the ice fields, the pure white of the floes; yes, My Beauty, I miss
all that too." We were quiet for a moment, both remembering our home
world, she the wild and stormy South Atlantic and the delphine city of
New Atlantis, I the merciless beauty of my childhood home in the Byrd
glacial basin in Antarctica.

	When we made love that night it was with the slow languid
tenderness that is born of shared memories. The sea had turned black
and the constellations of Earth glittered overhead. The soft,
repetitious splash of waves upon the shore found an echo in our
movements until, at last, we let them lull us into sleep.