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Disclaimer and Copyright Notice:

This story is intended to be viewed by adult audiences who are over the age
of 21 years and who wish to view explicit and/or alternative modes or forms
of sexuality or sexual activity detailed and described. If this does NOT
describe you or if this kind of material is illegal in your jurisdiction or
offensive to you, then DO NOT READ FURTHER AND DELETE THE CONTENTS OF THIS
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Copyright © (1998) JL Abrahamsohn


Day +1; The Heavenly Alarming Female Rides Again, Kagoshima City, Kyushu,
Japan, 13h30.

The audience of Japanese men had trundled in groups of between four and five
just before the show was due to start at 11h30. In the time between then and
when Ellie-May had left Sho Hashimoto with his balls exposed to the cool air
of morning and a look of bliss on his heavy features, the workmen
accompanying the small bus and truck with all the props had transformed the
little theatre into a performance theatre worthy of the name.

A new rotating stage had been added to the fixed stage, and lights festooned
the hall, together with vending machines and posters advertising the shows
to come. A sound system had been installed and the wardrobes, tables and
mirrors placed in the change rooms. The shower rooms had been cleaned to a
burnished perfection and a temporary air conditioning system had been
installed to take the edge off the cool morning air. All of this had been
accomplished in an astonishing two hours.

As the little old ladies in the front "box office" (everyone called them the
"aunties") took the cash and dished out the tickets, the theatre rapidly
filled up. The hubbub could be heard in the wings and in the changing room
where the "cast" prepared themselves.

Surprisingly, out of a cast of six, only two were Japanese. These Japanese
women were quite dissimilar to one another. The youngest, a woman of 21
years old, had already established her reputation as an "idol stripper", the
handful of strippers who were hot property on the "nudo gekijo" circuit. She
was undeniably beautiful in the human sense of the word, which meant she did
not come near Ellie-May’s perfection. Nevertheless, she was the star of this
wandering troupe of genital minstrels, although she was polite enough not to
throw her weight around.

The older woman was quite rubenesque and stocky. Her face had a ruddy good
humour to it, and was round and pleasant. She was the "Wako", the clown of
the show, whose dextrous pussy muscles provided a humourous interlude
inbetween the show’s main events. The bulk of the cast were Gaijin imported
from many lands.

Margie was an exotic dancer from the Caribbean whose lovely light brown
colour attested to the mixed origins of her ancestry. She was light skinned
enough to be considered "exotic", but not too dark, in a manner which would
turn her Japanese audience off as too "different". Her "partner" was a
large, dark skinned, affable, Cuban with a bald pate and long dreadlocked
style hair, whose warm brown eyes communicated his easy-going sensual nature
to the world. While not exactly text-book handsome, he could be considered
"good-looking" in a rugged sort of way.

In contrast, "Veronique", who hailed from the Ukraine, was all milky cream
smooth whiteness, with a long clean-limbed blondness from her silvery blonde
hair to her perfectly pink feet. She was a slender waif of a girl, who had
had "corrective" surgery undertaken on her chest. She was a petite slip of a
woman at 5’2’’ and the constructive work done on her breastworks had
expanded her tits to the point where they were not exactly proportional to
her frame. While her breasts were not excessively large in proportion to her
slender frame, they were significantly larger than her frame warranted by
her size. This gave her a slightly "top-heavy" look. Of course, this
contradistinction sent men wild when they noticed it, and she used this fact
to her considerable advantage. Her speciality was her limberness, a
suppleness which enabled her to accomplish the seemingly impossible task of
licking her own pussy.

The sixth cast member was a large Dutch woman of 6’2’’ in height. She was a
veritable brunhilde with an open "milkmaid" quintessentially Dutch face. Her
flaxen hair was woven into braids, and curled into a chignon at the back of
her head. She was quite attractive, and big-boned. Her large frame carried a
voluptuously curvaceous load, and her breasts were large and motherly. Her
speciality was that she could lactate at will, and her Japanese audience
could not resist the temptation to climb her body to suck from her milk-ripe
nipples. To them it was like Everest, and the siren-song of those milky
peaks were too much to resist. She fulfilled the Japanese male’s fantasy to
fuck a large, big breasted Gaijin woman.

This disparate band of talent explained why Sho Hashimoto’s nudo gekijo’s
shows were the most popular in Japan. He had an eye for the irresistably
exotic and erotic in human flesh. But the goddess of them all was Ellie May.
None of them had set eyes on such godlike perfection. When he looked at her,
all Sho Hashimoto, saw, when he managed to get past drooling at her
immaculate charms, was dollar signs.

By 13h30, the carnal mass had largely passed the halfway mark. The
ubiquitous strip show at the start by the idol stripper had given way to
"open steegi" where the male audience had the chance to gaze at, and use the
dildo, on intimately feminine parts. Nothing was left to the imagination.
But the level of decorum astonished Ellie-May. During the show’s events
there was dead silence from the audience as they gazed at the splayed female
genitalia with all the rapt excitement of an electrical worker reading
meters. Their concentration was intense, and the only noise was the comperes
commentry and the snores of intoxicated fellow audience members who had
fallen asleep. Sho Hashimoto’s shows were famous which is why only 25% of
the audience had fallen asleep or were busy rooting through their bento
lunchboxes. Usually a third of the audience was sleeping or eating lunch at
one of these shows.

"Open steegi" had been followed by the Wako to provide an amusing interlude.
During this time she "blow-piped" cigarettes at the audience with her pussy
muscles, and shoved eels up her quim. Her most accomplished feat in the
audience’s eyes was to paint fine Japanese calligraphy on pieces of paper
with a brush held in her vagina. The fine Japanese poems she recreated from
memory were a testimony to her education, and provoked grunts of admiration
and wild clapping from the audience.

As these acts finished, each of the artistes came into the dressing room,
which soon became quite crowded. They usually appeared with the bottom parts
of their costumes missing or completely naked, a sheen of sweat coating
their bodies from the harsh stage lights. Pussy juice stained their upper
thighs, except for "Veronique"; where, due to her curling gymnastics, her
pussy nectar had dripped onto her rounded tits and delicate chest, as she
gently lapped her pussy from underneath like a chesire cat at a saucer of
cream. Her lower face was also coated with these outpourings. She had
lingually brought herself to a squealing orgasm. Her frenzied licking had
caused her quim juice to scatter in droplets and faint pussy-cum stains
could be seen on her delicate forehead and in her hair where it matted to
together.

Empty cups of ramen instant noodles and lipstick stained paper cups were
scattered around the room. Costumes lay neatly folded in a corner, while the
exhausted encumbants dozed or played cards.

Margie and Dan were next on stage to prepare the audience for the "main"
event: "Honban Manaita". They raised testerone levels by coupling fully
naked on stage after shedding their costumes. This strenuous and
athletically choreographed stylish humping awoke some of the audience out of
their slumber as they gazed in silent concentration at Margie riding Dan’s
large penis. She crouched over him, facing his legs which were towards the
audience. All that could be seen of Dan was the soles of his feet, his legs,
and in the nexus between them, his large testicles, and the trunk of his
brown veined cock disappearing into Margie’s wet sodden earth. Both had
shaved their pubic area. So the nexus between their genital organs could be
seen very clearlyand in delineated detail. A spotlight was trained on this
area, and her pussy lips and inner thighs, as well as Dan’s upper thighs,
cock , and scrotum gleamed with her leaking juices.

Her breasts jiggled as she bounced up and down on his cock, her hands
resting on his muscled thighs just above his kneecaps. As she rose, Dan’s
trunk and chin could be seen, his cock in stark relief in the spotlight
where she was joined to him by this organic pole. Then she sank down on him,
and his organ disappeared into her depths, her pussy lips flaring, and
unfurling slightly outwards, as she bore down on him. A light sheen of sweat
glistened on her brow, and a droplet of sweat trickled between her breasts
and traced its way down past her curled bellybutton.

She could see that his toes were beginning to curl. This was the sign that
he was about to cum. Her body began to shudder as the lewdness of what they
were doing in the full glare of a public audience never failed to excite
her. She felt Dan’s forefinger worm its way into her anus and begin to
stroke his cock from inside her, through the thin membrane between pussy and
ass. This was his sign that he was approaching the brink.

She leant back, so that his cock could abrade directly against her G-spot.
She loved it when he did that, with a finger in her ass. She could feel her
orgasm blossoming at the base of her pelvis, as she felt the spattering
wetness of his ejaculation on her vaginal wall.

Having reached the end of  their copulatory ritual, Margie and Dan left the
stage, and it was Ellie-May’s turn. The main event, the crowning act of the
show was about to begin, and the compere was loudly announcing "Honban
Manaita" to the audience.

As Dan and Margie entered the change room, Ellie-May knew her time was up.

Margie winked at her, and said [Go get ‘em tiger, they’re waiting for you !]

By now, the entire audience was awake and ready, waiting in anticipation.

End of Part 9.



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