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Subject: Rep. by req.: Me and Martha Jane by S.J.R. (mF, teen, rom) part 13

From: sjr <73233.1411@CompuServe.COM>


             ****  WARNING  ****  WARNING  **** WARNING  ****

  THIS DOCUMENT IS A SEXUALLY GRAPHIC STORY ABOUT AN INTENSE SEXUAL,
  EMOTIONAL AND INTELLECTUAL RELATIONSHIP BETWEEN A TEENAGE GIRL AND
  A YOUNG BOY AND THE COURSE OF THEIR RELATIONSHIP OVER A PERIOD OF
  10 YEARS.  IT IS A DRAMATIZATION ABOUT REAL PEOPLE AND THEIR CON-
  FLICT WITH SOCIAL EXPECTATIONS.  IF THIS SUBJECTS OFFENDS YOU OR IF
  SEXUAL LANGUAGE UPSETS YOU, OR IF YOU DON'T WANT THIS MATERIAL SEEN
  BY UNDER-18 OR OTHERWISE UNQUALIFIED PERSONS, DELETE THIS DOCUMENT.

  THIS DOCUMENT IS COPYRIGHTED 1994, 1996 BY SJR.  SO--HEY, YOU CAN
  COPY IT BUT YOU CAN'T CHANGE IT OR SELL IT UNLESS I SAY SO.

--------------------------------------------------------------------

               THE ADVENTURES OF ME AND MARTHA JANE

                             by S.J.R.


                             PART 13A:


    On Thursday morning I awoke to find Martha bleary-eyed and rushing to
get ready for work.  I dressed quickly and hurried into the kitchen to
make a breakfast of toast and juice.  When she finished dressing she
woofed down the toast and quickly packed her briefcase and reminded me
that I had Fiore at ten and then I would meet her uptown near Columbia
for lunch.  She hastily scribbled the address and handed it to me.

    "The subway goes there, right?" I asked.

    She drank her juice in one gulp and grabbed her briefcase.  "Do NOT
take the subway by yourself, not to this neighborhood.  Take a taxi, hon.
Please.  Make the driver leave you right in front of the building."

    Clattering in her high heels, she headed for the front door.  "I
gotta go."

    I rushed to close the door behind her and she gave me a quick peck on
her way out.  I closed the door.  There had been no mention of Ronnie or
of the night before.  I didn't have much time to think about it.  I
showered and dressed.  I cleaned up from the night before and straight-
ened the pillows on the little sofa.  On my way downstairs I paused at
Ronnie's door but heard nothing from inside.

    On the way to Fiore's I stopped at a bank to cash more traveler's
cheques.  I had money to spare, but the bank calendar reminded me that
time was short.  I had the rest of the day, and then two and a half days
remaining in New York.  I broke into a run toward the health club.

    Fiore gave me hell again for an hour.  But I was set on attaining the
level of others who worked out in his club.  "No, no, concentrate!" he
grumbled at me as I lifted dumbbells over my head.  "Watch your form!
Take more time if you need it!  Concentrate!  Mind and body together, my
friend!  Together!"

    I worked arduously.  I kept thinking that I had less than four more
days in New York, less than four days to be more than I was when I left
Memphis.  I knew I had lost some baby fat and that the pimples I brought
to New York had all but faded and I could run in place almost twice as
long as I could a few days before.  But I felt compelled to do more.  I
worked at the exercise bike until I couldn't breathe.  While I rested,
slumping on the handlbars and huffing and sweating, Fiore strode to me,
his hands on his hips.  He wore his perpetual, taunting grin.

    "At first you couldn't do enough," he said.  "Now you try to do too
much!  You can't make up for missing yesterday by overworking today!  You
can't go back, my friend.  Only ahead.  Never try to go back.  Now, rest.
And begin again!"

    I rested.  But then I worked myself to exhaustion again, feeling time
rush at me.  Finally, near the end of the session, Fiore walked to me and
laid a hand on my arm.  "Stop," he said quietly, unusually subdued.
"Stop, my friend.  You are working too hard.  I want you to stop for
today."  He held up a warning finger.  "And tomorrow, light work.  Light.
Understand?"

    I nodded, breathing heavily.

    "Understand?" he repeated.  His eyes scolded me. "Light tomorrow."

    "Okay," I said.  I got off the bike and went to the showers.  On my
way out I glanced again at the dancers and others in the room.  I envied
their physical perfection and their grace and ease.  I felt like a
laggard.  Outside on Lexington Avenue, I responded to my urge to work
harder by jogging, determined to make my way on foot all the way uptown
to meet Martha.  But at 59th Street I was running out of steam.  Angry
with myself, I caught a taxi to Martha's and changed into nicer clothes
for lunch.  Fiore was right, I thought as I knotted my necktie in the
mirror: I still had a lot to learn and a long way to go.  But I saw my
skin was clear.  At least I was getting somewhere, if not far enough.  In
the kitchen I gulped down the vitamins and the yeast, taking an extra
full serving of yeast.  I told myself that at lunch I'd be meeting
adults, experts.  I had to look sharp.

    The taxi let me out in front of a block long, delapidated office
building in the West 130's.  As soon as I was on the sidewalk again I
knew I was in a slum.  It was unlike the shanty towns and working-class
neighborhoods I'd seen in Memphis.  The street stank strongly of garbage
and grease.  Trash was everywhere.  I found myself surrounded by tough
looking, disheveled Hispanics and blacks on the busy sidewalk, inter-
spersed with a few Orientals, Eurasians, and some students carrying
books.  A bearded man sat on a pile of paper wrappings in a doorway,
mosquitoes swarming around him.  I looked up and down the busy street;
Broadway stretched for miles in both directions, downtown toward Man-
hattan where the scenery looked a little cleaner and brighter, and then
uptown toward Riverside, the George Washington Bridge looming in the
distance.  I knew that the entire neighborhood wasn't as squalid as the
block where I stood, for I'd seen cleaner areas in the taxi on my way
there.  Quickly I made my way through the creaking entrance of the build-
ing and found myself in a clean but aging, yellow-walled lobby where I
followed a swept but dank hallway around several corners to a small
office with "109" on the front door.  I knocked.

    "Come in," I heard Martha say from inside.  Before I could open the
door, Martha opened it and stood in her suit in a room with several
massive, metal desks and filing cabinets.

    She smiled.  "Welcome to the Northern District Special Education
Worksite," she said, her greeting colored with a little irony.  "I'll be
right with you.  Like it?  I share this place with six other people.
They're in a meeting now, but it's almost over.  Two of them are waiting
across the street.  Come on, I'll introduce you."

    She was businesslike and matter-of-fact.  It was a serious, profes-
sional Martha I saw now.  She gathered her briefcase and a printed list
and led me down the hallway toward the lobby, explaining tersely the
various offices and cubicles we passed, and then led me across the street
toward a small diner.

    "This is a New York you haven't seen yet," she said somberly.  "It's
the working part.  The tough part."  She paused and added, "The heart-
breaking part."

    I asked as we crossed the hot, teeming street, "The people at
Columbia sent you here?"

    "No.  Worse than that.  I volunteered.  Come on, they're waiting in
this little diner.  Watch out for the coffee, it'll keep you awake for a
week."

    In the diner Martha smiled tiredly and greeted two men who sat at a
four-seat table near the foggy front window.  One of them was a tall,
virile looking man in his thirties.  The other was a slight, younger man
in black-rimmed glasses and a wrinkled gray suit.  The taller man spoke
readily and directly and reminded me of the laconic, rangy cowboys I'd
seen in many westerns.  The younger one was more reticent and seemed
bored and annoyed as he examined a spiral bound, one-inch thick report.
The taller one greeted me with, "Hello, nice to meet you, Steven," and a
hefty handshake.  The other one smiled weakly and reached into his coat
pocket for a cigarette.  Martha, too, lit a cigarette and we ordered
coffee and sandwiches.

   "Welcome to New York," said the tall one, whose name was Mark.  Martha
told them I was an old friend from Memphis and that she brought me along
to prove she wasn't kidding when she told people back home that she
really had a paying job.

    I found, again, that I was no expert at initiating conversation.  I
felt tense and self-conscious, even when Mark said jokingly, "People from
down South always seem so laid back and casual.  But I know better.
Martha, here, came to us with her sweet Southern smile and her sweet
Southern manner.  Then she turns out to be a taskmaster."  The younger
guy smiled sardonically and added, "That's post-graduate slang for ball-
buster," and punctuated the remark with an amiable, "Speaking figurative-
ly, of course."  They asked what I'd been doing in New York and when they
discovered I attended a school taught by the Christian Brothers they
wanted to know all about the teachers of whom they'd heard a great deal
and what kinds of teaching methods they used.  "The Brothers have schools
up here, too," Mark said, "but not in neighborhoods like this.  It's
enough to make me consider joining their order, but I'd like to stay
married." When I told them that the Christian Brothers was one of the few
religious orders that allowed marriage, Mark said, "Hey, doesn't sound
bad."  He grinned and asked, "Have their address on you?"

    Martha asked the younger man about the list he paged through.  "Are
those the assignments?" she asked, and the young man said dryly, "Yes,
wanna see?"  Martha held out her hand and said, "Let's see what they're
doing to us," and the young man handed the papers to her with a dry, "You
won't like it, Martha."  Martha looked over the first page for a second
and muttered "You're right, I don't," and the young man shrugged and said
resignedly, "What can I say?  We don't make the decisions, we just tote
the barge."

    Within a few minutes the diner was more crowded for the lunch hour.
Another man and a woman entered wearing business clothes and headed for
our table.  Martha noticed them and asked me, "Hon, would you mind
terribly if you sat at another table for a minute while we talk something
over with those people?  They're from the meeting and we just have to
review something.  It'll only take a minute.  Really.  Do you mind?
There's not enough room here for all of us."

    I said, "Of course not!", feeling I was being very adult about it,
and found a seat a few yards away at the lunch counter where I finished
my sandwich while the others talked.  The two newcomers pulled an extra
chair to the table.  Everyone fell into an earnest discussion over the
assignment list Martha was reading.  I watched Martha and the group
through the mirror in front of me.  I envied them.  They seemed to fit
together intimately, readily voicing their opinions about the teaching
assignments that had apparently been decided upon at the meeting.  Martha
openly objected to many decisions and gave what sounded like very compe-
tent, well-considered reasons for her opinions.  This was not the
indulgent, forgiving friend I'd seen so far; she was insistent, often
adamant, and sometimes passionately vocal.  At one point she glared hotly
at Mark, saying "Oh, you're kidding!  Honestly!  What do they think
they're doing?"  Mark began grudgingly, "Now, Martha, you know how the
system works--" and Martha grumbled, "The system hardly works, Mark, come
on!"  And Mark said, "Well, it's allocated by ability," and Martha
flicked her cigarette and said angrily, "It's allocated by race, and we
know it!"  And the newer guy shrugged and said, "Well, that's the way it
is."  Martha sighed and then simmered quietly for a moment, flicking her
cigarette on the ash tray, and then she sighed again and said "Oh, all
right, there's nothing I can do about it."   The young woman smirked and
said, "Martha, I know it's unfair but at least we'll be able to--" and
Martha interrupted, "I don't care if it's unfair to us.  It's unfair to
the kids, that's the point," and the other woman waved her hand and said,
"Okay, okay, we know that," and Martha asked vehemently "Well, if we know
it, why do we let them do this again and again?"

    The debate went on for several minutes.  Soon Martha reluctantly
agreed to whatever had been arranged at the meeting and the others seemed
relieved.  Martha asked the guy with the list to make a copy for her.
She rose and walked to me.

    "Come on, hon, let's go," she said cheerlessly.  I waved goodbye to
the others and they smiled and waved back, and Martha led me across the
street to the building where we met.

    "Come with me to the third floor.  I want to show you something."

    We stepped into an elevator that lurched violently when it started up.

    "My god!" I breathed, looking around in alarm.

    "It's just another New York elevator," Martha griped, looking at the
list she'd written.  "They'll fix it immediately, as soon as a pile of
people get killed in it.  Management by disaster, it's called."

    The third floor lobby was crowded with people sitting in several rows
of gray, aluminum folding chairs.  Kids squawled and whined.  Martha led
me into a small office a few doors down a nearby corridor, telling me
that she had to meet with one of her students for about an hour.  "I
don't know what you'll think of this, but I wanted you to see what goes
on here."  She pulled a file folder from her briefcase and placed it on
the single desk in the little room.  "This is a social services depart-
ment.  Most of the people out there are waiting for a welfare counselor,
or a case worker, or a therapist.  I was lucky enough to get this tiny
room for some of my students.  In fact, Marilyn often meets me here.  I'm
meeting one of the others now.  One of the less fortunate ones."

    She walked around the desk and stood in front of me.  "Do you want to
wait for me?  You can wait outside in the lobby.  Or if you want, you can
wait in that diner across the street.  But I want you to see another part
of the world."  She paused and said, "Hon, not everything is the way it's
been all week.  Not everything is like last night.  I hope that...you'll
feel differently about yourself if you see the mess others get themselves
into.  Are you up to it?"

    I eyed her directly and nodded.

    "Okay.  Forget all that romantic 'West Side Story' fluff you saw the
other night.  The real West Side is in that waiting room.  Come on."

    She led me back to the waiting area and straight to a chair near the
rear of the room where a Hispanic woman sat with a young boy who appeared
to be eleven or twelve years old.  He was a handsome youth, but I thought
he might have been more handsome had it not been for the vacant, unfo-
cussed look in his big, dark eyes.  His mother sat listlessly beside him,
looking bored and uninterested.

    Martha smiled and greeted them in Spanish, and introduced me.  The
mother acknowledged me with a drowsy glance and a slight movement of the
hand at her cheek.  The child simply stared at me.  I saw the remnants of
a bruise on his nose.  Martha said something in broken Spanish to the
woman, and the woman indifferently and tiredly replied "Si" a few times.
Martha extended her hand to the boy and smiled sweetly and said "Carlos?
Come with me?".  The child stared at her for a few seconds and, unsmil-
ing, stood and took her hand.  Martha whispered "Good," and gently led
the child by the hand.  On her way past me, Martha glanced at me and
whispered, "Welcome to New York, hon."  She led the boy to the corridor,
speaking to him maternally, and the child nodded but never smiled.  They
disappeared into the small office.

    The door closed.  Around me, children screamed and yelped.  I looked
down at the boy's mother and smiled politely.  She responded only with a
slow blink and looked down at the magazine in her lap, absently rubbing
an earlobe.

    For most of the hour I sat watching the people in the room.  Some of
them stared at me emptily for several minutes.  The room was redolent
with the odor of their ill-fitting, often filthy clothing.  One older man
had shoes whose soles were peeling off.  Infants whined and bawled.  Some
mothers whined back helplessly, others scolded and warned, and still
others sat unresponsively.  One boy kept up a continuous, rambling
conversation with his mother, who completely ignored him.  Some men and
women sat staring at the floor, some dozed; one man read a newspaper,
pointing slowly at each word and pronouncing them quietly and carefully
to himself.  Now and then a man or woman in a suit would greet one of the
people and lead them into an office.

    After a while I wandered through the corridor and noticed how ill-
kept the building was, although it looked recently swept and mopped.  The
faded walls were peeling in many places, some windows were cracked and a
few were boarded up, and every surface of every wall and doorway seemed
chipped, scarred, or damaged in some way.

    At the end of the hour I returned to the waiting room.  Martha
emerged from the office, smiling to the boy and talking to him as she led
him to his mother.  She spoke with them briefly, the mother appearing
interested only in gathering her things and leaving.  They said goodbye
and Martha watched them walk to the elevator.

    When they had gone, Martha said limply, "I'll get my things.  Let's
go somewhere."

    On the street as we walked to the subway I had nothing to say.  Or,
rather, I could think of nothing to say, which had me feeling crushingly
incompetent and stupid.  The image that stuck in my mind was the one of
the mother in the waiting room who sat chewing gum and filing her nails,
completely and, it seemed, purposely oblivious to her talking, question-
ing son.  I glanced at Martha as we walked.  Unsmiling, she winced in the
hot sun and pushed a lock of hair from her forehead.  I asked myself if I
would ever be able to sit at a table with a group of peers and handle
myself with Martha's apparent effectiveness.  I asked myself why I had
not spoken to her as completely and as intimately as I wanted.  I asked
myself if sex were the only intimate contact I would allow.  I asked
myself if hiding out from my family had rendered me hopelessly unable
to communicate with others, except on the most superficial level.

    "That boy," Martha said after a while, her voice edgy, "is very
talented.  His mother wants him to learn English and math as quickly
as he can so he can be a bookkeeper and support her and the babies she
keeps having.  I find it hard to believe that I keep praying for the day
when a counselor will take him away from his mother.  Every time he slows
down or makes a mistake, she beats the hell out of him."

    That was all she said.  She looked straight ahead, her eyes dark and
brooding.

    She led me to my first subway ride.  The rush hour had not started
yet, but the train was crowded and there were no seats.  We stood togeth-
er in the aisle and held onto a center post while the train sped and
swerved underground along Broadway.  Martha remained moody and silent.  I
looked at her.  Her auburn hair was combed and pinned back, smooth and
almost glossy at her temples, with blonde highlights and a bob in back.
Her elegant, pretty, pugnosed face had a sad frown, nearly a girlish
pout, that made me want to kiss and cuddle her.  I wondered why I didn't.

    She saw me watching her.  "Well," she said, "did you learn anything?"

    I nodded.

    "Yeah?"

    I kept my eyes on her.  "You're back in the Lauderdale Courts,"  I
said drearily.

    She smirked, and leaned on the post.  "Yes.  Right back where I came
from.  Worse than ever."  She looked at me again.  "Anything else?"

    I sighed and said, "Will I ever get to be really good at anything?"

    "You will if you work at it.  You will if your family will let you
be."

    "Not much I can do about that right now."

    "I know, Steven.  But someday..."  She kept looking at me and I kept
looking at her and we swayed as the train swung into a fast turn, but her
eyes didn't move from mine.  I wondered what she saw when she looked at
me so inexplicably with no clue whatever on her face to tell me what she
was thinking.  I wanted to tell her I loved her.  Did she know what I was
thinking as she studied my eyes?  Would she feel intimidated or feel I
were being possessive if I told her?  Was I really in love, or was it a
childish infatuation, a crush, a movie-like fantasy inspired by just
being in freewheeling New York?  It was not the affectionate but somewhat
raw lust that Ronnie generated in me.  Was it her pretty face, her incan-
descent hazel eyes, her musical voice?  Was it her talent, her brains,
her outspokeness...?

    "What else?" she asked, still watching me.

    I blinked awake.  "I learned how good you are at what you do."

    "Oh, I'm not good," she said scornfully, breaking her gaze and
looking away.  "I'm totally unqualified for this.  I'm not a psycholo-
gist.  I'm not a therapist.  I'm not even a case worker.  I'm a teacher.
And a beginner, at that.  A mere, everyday, generic beginner.  I want to
do some great work, some great endeavor.  I want to stop the wars and
stop the abuse and stop the beating.  But it doesn't stop.  It never
stops.  I'm helpless.  There's nothing I can do."  She frowned, and
winced, and sighed tearfully as she leaned into the post, her voice
straining.  "There's not a damn thing I can do."

    One eye teared and she wiped it with a finger.  She sighed heavily
and sniffled and then quickly straightened up and tightened her jaws.
"Crap," she said angrily.

    I offered, "Well, you did a great job on me."

    She looked at me.  I gave her my handkerchief and she honked her nose
into it quickly and looked at me again.  "If only I could convince you to
be yourself and believe in it.  You feel inferior because you're trying
to be like someone else, not you, and...Well, your pimples are gone,
anyway...and you're wearing your glasses for a change.  The frames are
very nice, just right for you.  And you look gorgeous."

    "Well, that's something.  Isn't it?  A dozen tubes of Clearasil is no
match for a couple of days with you, lady."

    She continued watching me and lurched as the train entered a
station.  She frowned, mildly, impatiently, "Why are you so nice to me
all the time?  You're always so nice to me, you've never said anything
critical to me as long as you've known me.  Never.  Why?"

    "Because you're beautiful and smart and perfect," I said as the train
slowed.

    "How hopelessly romantic," she huffed, returning my handkerchief.
"How silly and juvenile.  How ingratiating, Steven."  She touched my face
gently.  "And how sweet," she said.

    The trained banged and screeched and jerked to a stop.



                             PART 13B:


    We dropped by Martha's place, changed clothes and then spent the rest
of the afternoon on the Staten Island Ferry.  Martha showed me what she
called the "expected tourist attractions" -- the Statue of Liberty, Wall
Street, City Hall.  As dusk approached we walked uptown toward Greenwich
Village, where she took me to a hairdresser for a very expensive hair-
cut.  Gradually, Martha cheered up.  Gradually, I became more sullen. We
strolled through New York University and stopped in a couple of book
emporiums on Broadway.

    "Wanna get anything?" Martha asked as I fingered a volume in a pile
of books on a table at the Strand Bookstore.

    I gave a rueful little laugh and pointed at one of the books.  "An
out of print copy of 'Gregory the Great'," I said.  "Brother Martin back
home would give his eye teeth for this."

    "Why don't you buy it and take it back home for him?"

    "I'd want it for myself.  Brother Martin loaned me that book from the
school library as a special project.  He said he didn't want to waste my
time in basic English, so he gave me extra credit for writing a report on
this book.  It's great.  Whoever thought a biography of the first great
Pope of the Church could be so good?  Wouldn't it be great if I could--?"
I stopped and sighed.

    "If you could what, hon?"

    "If...if I could absorb all this.  Just stay here and go through
every one of these things.  There are books and ideas here that go back
hundreds of years."  I shook my head.  "I'd never be able to do it all."

    "Nobody can do it all, Steven."

    "But I want to."

    "Nobody can, hon."

    "The problem is, I wouldn't even be able to get started.  Why start
with one, when there are thousands, tens of thousands, even hundreds of
thousands, of books in here?  I wouldn't finish Chapter One before I'd
have to get on a plane back to Memphis."

    She smirked.  "So that's what you've been thinking about.  I thought
so."

    I sighed again, and shoved my hands into my pockets.  "Yeah."

    "Come on," she said, "Let's go find dinner."

    We had dinner at a small place in Greenwich Village and then took the
bus home.  I lounged on the sofa.  Martha plopped into the fluffy old
easy chair beside her small fireplace.

    "What'll we do tonight?  It's not even eight o'clock and I didn't
make plans for tonight because I wanted you to have one night to call the
shots. You know your way around the city a little now, so I thought you'd
like to set it up yourself for a change."

    "You plan real good, Miss Martha."

    "That's not an answer.  Just tell me what you want to do."

    I yawned.  "Oh, I dunno."

    "Steven...I've been leading you around town for a week now.  In fact,
I've been leading you around all your life.  I didn't bring you to New
York to lead you on a leash.  I brought you here to open you up.  I
brought you here to show you that the whole world isn't Memphis and you
don't always get punished for saying and doing what you want."

    I smiled gratefully, and shrugged.

    "Oh, c'mon.  Talk to me."

    "What do you want me to say?"

    She sighed impatiently.  "It's not what I want you to say, it's what
YOU want to say.  It's what you want to do."

    "I don't know what I want to do."

    "You wanna just sit here and mope about going back to Memphis?
You're not in Memphis yet, Steven.  You're still in Manhattan.  With me.
You're here.  Now.  Stop going over the past and stop worrying about the
future.  You see what that sort of thing did to me this afternoon at
work.  I said what I had to say about it, and then I moved on."

    "Okay, well...First of all, I'm a little tired."

    "Right, I'll buy that.  Sounds reasonable.  I am too, actually."

    I paused.  She waited.

    "Steven" she said quietly.  "Talk to me.  Wanna just talk?  A nice,
restful Thursday evening, talking my head off would be very nice.  I've
got you to do a lot of things, but I still can't get you to talk.  I
haven't forgotten who you are, Steven.  I know you're still young and
unsure.  I know that New York is intimidating, and it was for me when I
came here.  But you still have feelings and ideas.  I wish I could figure
them all out on my own, but I can't."

    I thought for a moment.

    "Well?" she said.

    I sat up straight.  "Come one, let's take a shower."

    She laughed.  "That's what you want to do, take a shower?"

    I walked to her and took her hand and gave a little tug. "Come on," I
said.

    We showered together.  "How exciting," Martha said sarcastically as
she soaped her hands.

    "This is a prelude to what's next," I said mysteriously, swabbing my
shoulders and arms.

    "Hon, everything's a prelude to what's next, and this gives me a
pretty good idea what it will probably be.  But do you have to shower to
talk?"

    "You'll see," I said.

    At the end of our shower I asked her to re-soap her hands and make
the suds thick and slippery.  "Now," I said, holding my cock, "Get me
hard.  Come on.  Get me really hard."

    She smiled at me quizzically as she worked on my cock.  "Steven...
what are you up to?  This is a heck of way to start a conversation."

    "You'll see.  Come on, do it."

    When I was fully erect I asked Martha, "Are you wet?"

    She said, "Of course I am, what do you think?"

    "Okay," I said, and I rinsed the soap away quickly and then in one
smooth motion I picked her up and carried her into the bedroom.

    "Steven," she complained, "We're still wet from the shower."

    "I don't care," I said, and tumbled her onto the bed.

    She looked at me wonderingly as I turned out the bedroom light and
then stretched her out on her back and opened her legs and lay on her
and looked down to aim my cock and then slowly and deeply and yearning-
ly entered her, sighing as I enjoyed the sweet long slide inward.  Her
eyes widened and she whispered, "Oh, my.  Steven.  I have to thank Fiore
for more than just my nineteen inch waist.  Mmm."

    I slid in and out a few times.  I muttered a little breathlessly,
watching her hips adjust to my length, "I love your nineteen inch waist.
I love getting big and hard and going into you."  When I felt thoroughly
lubricated and comfortable I slid all the way in and held myself there
and embraced her closely, one arm around her waist and the other around
her neck, and hugged her and nestled my face against her neck.  I lay
motionless, my cock deep and snug and hard and wet inside her.

    "Now," I said, "we can talk."

    She laughed quietly, snaking her arms around me.  "And I thought you
said you weren't a good conversationalist."  She kissed my cheek.  "This
is a very sexy way to have a talk."

    I kissed her neck.  "Listen.  I don't know how to tell you what I'm
thinking because I'm not thinking right now.  I'm feeling.  I'm feeling
how good it is to have you holding me and to just be inside you.  I'm
feeling how good it is to walk in Central Park with you and go to a deli
and eat matso ball soup.  I'm feeling how good it is to feel good with
you.  I don't like to spend a lot of time talking about how I feel.  I
have to do something about it.  I have to put my feelings to work.  I
don't want to spend a lot of time analyzing them and talking about them,
I want to do something about them.  I don't want to just look at books
and look at movies and read plays.  I want to do them.  I want to make
them real, I want to make them into something I can touch and see and
hear and taste.  I don't want to just look at you or think about you, I
want to hold you and lick you and fuck you.  You are my feelings.  When I
put my fingers around your waist I'm feeling I'm your waist, and when I
touch your skin it's because your skin is my feelings.  And when I fuck,
what you feel when I'm inside you is what I'm feeling.  I was a little
scared with Ronnie last night, and with you, because what you and Ronnie
were feeling was what I was feeling.  When Ronnie was sad, I was sad.
When Ronnie was afraid that I wouldn't let her have her full pleasure, I
felt it too.  I didn't want to just be friends with her, I wanted to give
her pleasure, I wanted to feel with her when she felt that release, that
comfort, that closeness.  And when I saw you wanting the same pleasure I
wanted the same pleasure for you and I wanted to feel it with you.  I
wanted it to be so good I'd never forget it, and I wanted to make it so
good for you, you'd never forget it, either.  I wanted it because I felt
you wanting it.  I want it because that's the way you make me feel.  When
you were upset this afternoon I didn't just see it, I felt it.  When
you're happy I don't just see it, I feel it.  When you're almost cumming
and not there yet, I feel it, too."

    I hugged her.  "I don't want to just think about going back home, I
want to go back home and do something.  I don't want to look at New York
and think about New York, I want to do New York.  I don't want to think
about being here, I want to be here.  I don't want it later, I want it
now.  It won't do me any good later.  I need it now.  I needed everything
yesterday and I want to do everything now.  I don't want to think.  I
don't like thinking.  I want to feel it and do it."  I licked her ear.
"I love your ear.  I love your neck."  I kissed her neck.  "I love your
nipples and your navel and your legs and your feet and your cunt.  When I
go inside you I don't put a dick in you, I put all of me in you.  I put
my body and my thoughts and my feelings, my past and my present and my
future in you.  When I cum the only thing I think and the only thing I
feel and the only thing in the whole world for me is cumming, and there
isn't anything else.  And I don't want there to be anything else."

    I stopped to pull my arm from under her neck and stroke her hair.

    "Baby," she whispered.  Inside her, she hugged me.

    We talked for an hour.  I did most of the talking, hugging her and
stroking her hair and kissing her neck, and she did most of the listen-
ing.  Now and then when I softened inside her she would lift my face and
watch me talking to her and squeeze me inside until I was hard again.
After a while I stopped talking and we fucked for a few minutes, slowly
and lovingly, and it was one of the few times that I fucked Martha while
not watching her; I fucked gently and deeply, nestling into her neck and
listening to her breathe.  When the pleasure mounted beyond anything more
than an affectionate, friendly probing, I would stop.  She would ask a
question or make a comment and I would start talking again.  Mostly, she
listened and watched me and let me know with small contractions inside
her what she was feeling.  I talked about the things I yearned to do, the
person I yearned to be.  She asked me to describe that person, and I
expended so much time and so many words trying to explain it that she
asked me to give her a name, someone I knew who mirrored what I thought I
wanted to be.  I mentioned Gregory Peck.  She laughed out loud and said,
"But, hon, don't you see? You're describing someone else, not yourself."

    She wanted me to tell her what my plans were, precisely, when I
returned home.  I told her I'd keep working.  She asked why I was so
willing to sacrifice the things I really wanted by wearing myself out
with a paper route.  I told her I wanted a car, I wanted freedom to move
around, I wanted the clothes, friends, and independence others had.  She
said having what others have wasn't as important as being myself; I
should be in the theatre, and I had better opportunities for a future in
college if I spent more time in activities at Christian Brothers.  I told
her I didn't want to be in high school, I wanted to be in any other
place.  She was amused and somewhat awed by my willingness to risk every-
thing I had for everything I didn't have.  She said I should work with
what was available.  She told me I was trying too hard to be every- one
but myself.

    "I'd like to be," I said earnestly, "like you."  And she laughed and
said, "Like me?" and then she frowned and stroked my hair and said,
"Steven, I don't want you to be like me.  I want you to be you.  And I
don't want you to work yourself to death the way I did.  Oh, sure, you
have to work hard, but I gave up everything to get through Memphis State
in three years instead of four, and kept weekend jobs on top of it.  And
you know what it got me?  It got me worn out.  Not quite twenty-four
years old yet, and I'm all worn out and frustrated with work.  It got me
used to not taking my time and made me want everything and want it to be
perfect.  Take my word for it, you have to stop and look around and
realize that the whole world isn't going to pay attention to you just
because you're working yourself to death."

    "But you got out of Mmephis," I said.

    "Yes, and you'll get out, too.  But it was part luck and part hard
work and part nerve.  I could just as well have been picked by another
school, but it happened the way it did.  The same way we just happened.
And some things, Steven, don't happen.  You can't make things happen, you
can only make yourself available.  Don't count on things happening that
you can't control. Don't you remember what you said to Ronnie, you can't
make someone be good to you if they don't want to?  Oh, you seem so
passive and easygoing on the outside -- but you're very aggressive,
aren't you?"

    We got out of bed for a few minutes and had a snack.  Then we
embraced in bed again and Martha sucked me to an erection and I went into
her and we hugged and lay still for a while.  She asked me about Karen. I
told her as much as I could remember about the incident, though I hesi-
tated to go into it with any great detail.  Martha said that disappoint-
ment was the norm when it came to intimacy.  "Not everyone's a perfect
partner," she said, "and some are lousy.  It all depends on who you're
with.  Remember what I said about being able to fly on your own, Steven.
You don't always have someone around to show you the way or to validate
yourself.  That's why you have to be you and have what you have, not be
someone else and have what someone else has.  God, I wish you'd believe
in yourself.  I wish your folks would give you just a little break, a
little recognition.  But they won't, Steven, not any more than Mr.
Buchanan or Evelyn would give it to me."

    The pleasure of being inside her soon asserted itself.  I began
talking less and moving more frequently in her for a few minutes before
we started talking again.  Soon I lifted on my arms and fucked steadily.

    She whispered, "Don't keep stopping, Steven, it's feeling good."

    "Did I talk your head off?"

    "You sure did.  Now I want you to fuck my brains out."

    I watched her as I moved and she put her arms around my neck and
looked down at me pumping in her.

    "Hon, it's nice."  She looked up at me and saw the pleasure in my
face.  SHe smiled softly and churned her hips under me, and I felt her
inner muscles writhing and sucking.  When I moaned she smiled happily and
whispered, "Know what I want you to be?  I want you to be you.  I want
you to be fifteen and strong and full of cum.  I loved watching you with
Ronnie, watching both of you discover each other and please each other.
I don't want you to get old and mean and moody, Steven, I want you to
always be new and pure.  And you're so very sensual, and so intense, and
you really know how to give pleasure.  I want you to be yourself and
enjoy me, and not worry about what was, or what might be.  Stay young for
me.  I feel so young when you fuck me like this.  It was so good, the
very first time."

    "Martha, you're...gonna make me cum."

    "But I want you to.  I want you to cum when you feel like it.  Come
on, just cum.  Don't cum because I do, cum just because you want to."

    She began tightening on me, smiling into my eyes, and I stopped and
fought for breath and she asked, "What's the matter?", and I moaned, "It
feels so good!"

    She grinned.  "It's supposed to, Steven!"  She began moving her hips
gently under me, up and down, sliding her cunt on my shaft.  The suction
she created was overpowering.

    "Come on," she taunted.  "Come on, I want you to be selfish for a
change.  There's nothing wrong with it."

    My head snapped back and I groaned again.

    She kept up the rhythm and began seriously milking me as she moved.
"Come on," she whispered. "Come on."

    "Oh!"

    "I'm not your mother, hon.  You won't lose me if you don't always
please me first, don't you know that?  Right now, I want you to please
yourself first.  Let me just give to you, and I won't ask for anything,
and you don't have to give anything back.  You're allowed to do that, you
know.  I'll let you because I know you'd do the same for me."

    I gasped and closed my eyes and raised high on my arms and began
pumping into her.  She ceased her undulations and held her pelvis against
me and closed tightly on my cock.

    "Yes," she whispered, "Oh, yes, hon.  Take it.  Take what you want."

    I began to stroke deeply and strongly in her, my pelvis seeking her
deeply on the instroke, relishing the tickle of her cervix as it nipped
and grabbed my tip.

    "I'm other girls," she whispered hotly.  "I'm everyone you ever
wanted.  I'm all those others and now I'm saying yes.  I'm Josephine
Louise.  I'm Karen.  I'm Ronnie.  I'm not saying no.  And I like it,
Steven.  I like it and I want it."

    I burrowed more deeply into her than I had ever gone before.  And I
was bigger and harder and more seeking than ever.  I fucked deliberately
and deeply, and soon the grip of her inner warmth changed and became less
rhythmic and less purposeful and became more erratic.  She became slicker
and hotter, and I saw her eyes close, and her smile vanished and she
squinted and frowned in surprise and concentration.

    "God," she breathed suddenly, "you're so big."

    And I whispered "Fuck" and shifted on my arms and raised on my toes
and my toes dug into the bed and then I had the balance and the leverage
that I wanted and I started stroking, smoothly and strongly, as deep as I
could go and as far back as I could go.  I became a fucking machine and
all I wanted to do was fuck.  I was near cumming, but I wouldn't let it
happen yet.  I clung to the hot, primal itch that I felt on the edge of
letting go and I wanted to stay there.  I forgot about how close Martha
might or might not be to cumming; I just wanted to fuck and keep on
fucking as long as I could.  Her sighs and whispers were indeed those of
Josephine Louise and Ronnie and everyone else I'd lusted after; her
seductive crooning had implanted them clearly in my mind.  I forgot about
Martha's body as my universe focused exclusively onto her cunt, on her
pelvic muscles straining and quivering against mine, her clinging inner
woman, and she wasn't Martha, she was the primeval cunt my leering,
slurping beast wanted to fuck, and my beast demanded the delicious,
licking pleasure, and vaguely I heard her amazed gasp, "God, you're
hard!  You're so hard!" and then I heard her hoarse moan, and I felt her
cumming and her hot, slithery, woman-cunt spasmed with it and my cock
felt it and rejoiced and grew and plunged and I wanted to keep fucking,
keep fucking like this forever.  I felt her relax a little and I fucked
and pushed and my bursting shaft sought more, more pleasure, more
lusciousness, and soon she stiffened again and I heard her gasp "Steven!"
and I wanted more and got bigger and harder and she jerked and relaxed
and then came again, and then I grunted and felt my face smiling as my
cock leapt upward against the roof of Martha's curling, writhing nether-
mouth, and my tip pulsed and the slit grinned against her womb and the
cum poured out and then gushed out and then exploded out and somewhere in
my gut my happy beast grinned and said Yeah, yeah, and my tip twitched
and the hot cum gushed and then I heard Martha scream a high, muffled
scream, and my victorious cock slowed so that I could ruthlessly prolong
and enjoy and own and remember the long moment and she screamed again and
the satisfaction and the sweet release washed around my dick and through
me, and then the blinding, tickling peak hit me and I ceased to exist for
a long, liquid instant, and my cock throbbed, pleased, bloated with
pleasure, purged, slick with her juiciness and my cum, and Martha lurched
under me and ended her cum with a whimper and my whole body sighed and
slowed and relaxed, my balls aching with a pleasant emptiness, and I
opened my eyes and saw her face flushed, her eyes squinting, shut, and
her mouth gasping for air, and then I realized that her nails had dug
into my neck and it felt good, it felt exhilarating to see her completely
worn out, trembling, limp, clutching me as if afraid, and I gave a long
sigh of pleasure and embraced her again, and cuddled her and gave her
mouth a long, firm kiss, and when it was over she gasped loudly and her
head fell against me, and I pulled my cock out of her and watched it
glisten and drip with us and I pushed in again and enjoyed entering her
once more, and did it again and marvelled at how good it was.  And then
she curled into a tight ball and she was whimpering, mewing, crying like
a little girl, her knees pulled up against me, and she nestled into me
and broke into a long fit of quiet but wrenching cries.  I stroked her
back softly and held her, one hand cradling the back of her neck and
pressing her tear-wet face into me, and she cried for a little while and
then she began to relax, sniffling noisily at first.  And then she seemed
to rest but was still curled up and holding onto me and the odor of semen
and warm milk was strong in the room.  The curtain rustled against the
window frame.

   She whimpered, "That was so good!"

   I nodded against her head.

   And she breathed nervously, "Steven, that was so good it scared me."
And in her voice I did indeed hear the childish relief one feels when a
terror has passed, and she softend against me and seemed tiny.  Soon she
fell asleep.  I lay awake for a long time, listening to the breeze from
the window.  I remembered dimly hearing Martha scream.  I drifted toward
sleep, feeling somehow changed.  I didn't know why I felt that way.



                             PART 13C:


    By five A.M. I was awake.  My first thought was that Sunday was two
days away.  I gave sleeping Martha a kiss, got out of bed, and took my
vitamins.  I needed to move.  To run.  I dressed in my gym clothes and
went downstairs and jogged toward Central Park.  The early sun was
already hot and beaming.  Halfway to Central Park I stopped, waiting at
Park Avenue for the traffic light.  Cars swished by and I found myself
watching everything, taking it in, wondering what it would be like to do
this every morning in Manhattan.  I wanted to memorize it; there was
nothing in Memphis to remind me of this street, this town, this feeling,
these sights.  I wanted New York burned into my mind, wanted to hold onto
it and take back as much as I could.

    The light changed.  I broke into a run to the park.  I was burned out
by the time I got there.  I limped into a sloping field and rested on a
park bench.  As far as I could see, only one or two distant people were
there.  I rubbed my aching ankles and burning shins.  I was short of
breath.  Fiore was right, I thought: work within your limits.

    All right, I conceded, within my limits.  I accepted it, but ached
knowing it was not good enough.  My limit at that point was my body.  My
limit was two days.  My limit was time.  My limit was Martha.  I could do
nothing about any of it.  My body told me what would happen if I pushed
too far, too hard.  Something in my heart and head told me what might
happen if I pushed too hard with Martha.  I walked around and stretched
my legs, trying to coax more work from them.  But they, too, had reached
their limit.  Around me lay the serene park, disturbed only by skitter-
ing squirrels and robins, chirping sparrows, and cooing pigeons.  Not
even a breeze came through to wake the trees.  Inside, I simmered.

    Tired, I walked back to Martha's.  I looked at everything twice,
memorizing.

    She was showering.  I undressed and joined her.

    "Well," she asked, "were you out conquering the world?"

    "Sure," I said.

    "Who won?"

    "The world."

    "I said it once, honey, and I'll say it again.  Welcome to New York."

    She went over the schedule.  Fiore at ten.  Marilyn at one.  Then
Marilyn and the American Museum of Modern Art or whatever Marilyn wanted.
Then meet Martha at a deli we'd seen before, and then to Little Italy.
She invited Ronnie to dinner with us, but Ronnie said she had an
afterwork date.

    At my workout, Fiore watched me for a while and seemed satisfied that
I wasn't going to try to accomplish in one hour what had taken his
students months or years to do.  Inside, I was fighting the limits; I
just didn't know how to do it, so I went through the movements and
stretches Fiore prescribed.  I still felt it wasn't enough.

    I changed into a sport coat and tie at Martha's and she and I walked
to a spacious, busy restaurant on Madison Avenue near the American
Museum.  We ordered tea to occupy us while we awaited Marilyn.

    I tugged at my tie and tried to keep it from eating into my neck.  "I
feel like I'm a fifteen year old being taken by his parents to the prom."

    Martha said, "Steven, you are fifteen."

    "I know, I just...don't enjoy feeling like it."

    "Enjoy it while you can, it only happens once."

    "Thank god.  Why am I doing this?"

    "Because Marilyn wants to meet you.  Let's not go through all that
again.  It's too late to back out.  Anyway, here she comes."

    Marilyn was slightly taller than I.  She wore black, thick-framed
glasses and had long brown hair past her shoulders and she was, as Martha
said, cute.  She looked younger than sixteen.  She was high-waisted, a
little thick in the legs, and was freckled and had a sweet, wide smile at
all times.  Her voice was rather husky, but soft, and she talked easily
and slowly.  Above all, she was almost irritatingly polite.  At first it
seemed like a pose, but as the lunch wore on I saw that she was so stead-
ily proper and soft-spoken that it had to be genuine.

    We had no problem making conversation.  Marilyn wanted to know all
about the South.  When she heard that Christian Brothers High School had
just built a new, multi-million-dollar theater and concert hall, the talk
swerved into theater and the arts and stayed there for most of the day.
Pleased that we weren't at each other's throats, Martha left after an
hour and walked with us to the museum, where she left me with Marilyn
for the rest of the afternoon.

    "Meet me at the restaurant at seven," Martha told me.  She gave
Marilyn a little kiss and told her, "Don't let Steven get lost, now."

    It was an eerie exercise in relating to someone who was pretty,
friendly, bright, incurably sweet, and someone for whom I had no strong
feelings at all.  The interval between two-thirty and six-fifteen was the
longest I'd spent in the company of a young woman whose presence left me
vaguely lonely and horny for something else.  But I learned;  I learned
to keep talking, and I learned how uneasy I felt with someone who
endlessly asked about me.  I found it difficult to get her to talk more
about Marilyn.  I wondered if it were my fault or hers.

    Marilyn had no qualms about touching me, placing her hand on my arm
to point something out to me, or grabbing my hand and leading me down a
corridor to another exhibit, and at one point simply holding my hand
casually and unselfconsciously for a few minutes as we sat together
during a brief rest.  And then, when we decided to take a walk in sur-
rounding Central Park and sat on a bench talking, she touched my knee,
apparently without noticing.  If she was turned on by any of this, she
revealed nothing.  I tried touching her myself, on the hand or on the
arm, with no reaction from her.  I kept wanting something else, someone
else.  Being with her did little to make me stop thinking that Sunday was
near.

    She said she would take the subway home, and when I made remarks
about it she said, "No, no, that's the way it's done here, unless you're
going steady or something.  But, oh, I do like that Southern politeness.
It's refreshing, really.  Listen, would you like to keep in touch?  I
think you're very interesting, and we have drama conventions up here, so
if you ever attend one I could help show you around."

    We exchanged addresses as I walked her to the subway at 86th and
Lexington.  She gave my hand a squeeze, blew me a little goodbye kiss
and left with a sweet, polite little smile.

    I decided to walk downtown to meet Martha at 57th Street.  I thought:
Not bad, really.  Not bad at all.  I knew of no one my age in Memphis who
would have been as pleasant.  And then I thought: I knew of no one in
Memphis, period.

    It was a few minutes after seven when I entered the restaurant on
57th Street.  As my gaze swept the room I caught sight of two pairs of
arms waving at me over the heads of the customers.  Now, I wondered, who
owned the other pair of hands?  As I neared the corner, Martha and Ronnie
stood at their table and grinned and yelled "Yaaay!" and applauded and
waved.

    "Good show," Martha said.

    Ronnie yelled "Bravo!  Bravo, Senior Stephano!  Bravissimo!"

    Amazingly, few people turned to look.  I strode to the table calmly,
holding up a cautioning hand and nodding casual thank-you's, and when they
continued cheering I gave them the palms-down, finger-up footbal signal
for time-out, saying, "Okay, okay, have a seat.  I survived."

    "Didja get laid?" Ronnie joked.

    "Yeah, twice."

    "Bravio, Senior Stephano."

    "So," Martha asked, "How was it?"

    I told her it was pleasant, very pleasant, and that we exchanged
addresses and that Marilyn had me very confused with her touching.

    "Yes," Martha said, "she does that.  She's always touching your hand
or arm.  And she's sweet.  Isn't she just nice to know, hon?"

    "You're right.  As usual."

    Ronnie said, "Isn't it sickening?  She's always right.  Even when
she's wrong."

    Martha announced, "Ronnie was stood up."

    I said, "What?  Ronnie!  I don't believe it!  Who would stand you up?"

    "Eh!" Ronnie said.  "Ain't the first time."

    "I don't believe it!  Why would anyone stand *you* up?  I mean, they
just left you standing in the street or something?"

    "No, I was waiting in my building."  She fiddled with the straw in
her iced tea and shrugged.  "I pick 'em, don't I?  Just as well, I wasn't
so hot about it to begin with.  I probably tried to fake enthusiasm and
I tried too hard and they caught on, and...what the heck."

    Martha said, "Ronnie, I told you, it's just a New York thing.  It
happens all the time, it just seems to happen more in this town."

    I asked, appalled, "But why would they do something like that?"

    Ronnie said flippantly, "They change their minds."

    "They don't call you or anything?"

    Ronnie shrugged.  "Hey, if they change their minds and don't show
up, they figure you know."

    For a long moment I sat looking at Ronnie while she and Martha talked
and made jokes about the situation.   Finally I cleared my throat and
asked as casually as I could, "Come out with me and Martha."

    Ronnie waved me away.  "Ah, c'mon, you two have plans."

    "No," I said.  "Come on.  I'm buying anyway.  Let me take you to
dinner."

    Martha's eyes widened in surprise, and she looked at Ronnie and then
at me.  "Steven!" she breathed in mock dismay.  "Are you asking Ronnie
for a date?  Oh, Ronnie, this is a first!"

    Ronnie batted her eyelashes at me.  "Li'l ol' me, y'aaaall?  Did I do
that right?"

    I said, "No, but you can come along anyway."

    Martha watched, smirking while I talked Ronnie into it.  As we rose
to leave for Little Italy, Martha whispered to me, "Good going, cowboy.
The afternoon with Marilyn must have taught you something.  I'm glad."

    "At last she's pleased," I mumbled, raising my eyes to heaven, and
Martha elbowed my ribs.



     We visited three restaurants in Little Italy.  Again, it was another
amazing New York adventure for me.  In my excitement I ordered everything
in sight, until Martha and Ronnie warned me that the prices were moder-
ate, but not cheap, and the servings were large.  Laughing and joking, we
sampled each other's plates and sang an Italian song when a violinist
came to our table in the Grotto Azura.

    "Honey," Ronnie said on the street later, "I love you for this.  My
date would never have been this nice to me.  C'mon, Martha, I'll take him
to Ferrara's and really fatten him up."

    Martha said, "Careful, Ron, Steven's a sucker for the goodies in
Ferrara's."

    "Lead the way," I told Ronnie.

    In Ferrara's Bakery, Ronnie bought me a canole and a baba-a-rum that
had my mouth watering and my tummy bloated.  The only thing preventing me
from ordering second rounds was the utter impossibility of shoving more
food into my stomach.

    "Take you a week to work this off," Ronnie said, grinning at me with
her cigarette held in the air.

    "Oh, Ronnie," I breathed, wiping my mouth and downing the last of the
canole, "this is just...I never tasted anything like this.  Thank you
for corrupting me and bringing me to this place."

    "I don't get it," Ronnie said, "don't Italians in Memphis eat this
stuff?"

    Martha said, "Most of them never heard of it.  Strictly barbeque and
canned beans down there, Ronnie."

    Ronnie winked at me.  "It's good stuff, huh?"

    "Decadent," I groaned, sighing with an overfull stomach.

    Ronnie smiled as she crushed out her cigarette.  "Yeah.  It's a good
feeling, isn't it?  It's the only thing keeping me in New York.  It's my
dark side.  My yin, or yang, or whatever.  Now I'm gonna order one for
myself."

    Martha warned, "The waistline, Ronnie.  Remember?"

    "To hell with it," Ronnie said, waving for a waiter.  "I want."

    Afterwards, we walked uptown through Greenwich Village, up Fifth
Avenue to Union Square, then up Broadway to Times Square, then up Sixth
Avenue into Rockefeller Center, then up 6th Avenue further into Central
Park.  By that time we were worn out.  We sat on a bench near the lake at
59th Street, resting and calculating how many blocks there were between
the park and their building.

    "Should we take a taxi?" Martha asked.

    "Nah," I growled, "let's walk."

    Martha said, "You walk, hon.  It's about twenty more blocks."  She
looked at Ronnie, who sat gazing into the moonlit pond before us and
seemed sad and lost in thought.  "What's on your twisted little mind,
Ron?"

    She sighed and looked into the lake.  "Oh, I just...I don't know,
Martha."

    "Are you still worried about what happened tonight?" Martha asked.
"C'mon, Ronnie, it's happned to all of us.  Steven, too.  And he took it
pretty hard."

    "No," Ronnie said, still gazing.  "No, it's not that.  It's just...I
had a nice time, really.  But you always keep thinking, y'know, why
people do that.  And how they manage to find me."

    "Ronnie," Martha commanded gently, "Forget about it.  Come on."

    "Well, I was just wondering," Ronnie said.  She leaned back and then
looked down for a moment and said to the ground, "Steven, did you just do
all this because you felt sorry for me?"

    Martha said, "Ronnie, we had a nice time, didn't we?"

    "That's not what I asked," Ronnie said.  "It was very nice, Steven.
Really.  Even if you were just being nice and felt sorry for me.  You
did, didn't you?"

    I said, "I did a little, sure.  Because it was you.  The main thing
was, I just wanted you with us.  You're nice.  I wish I knew people in
Memphis who are as nice as you."  I did not find this easy to say, and I
spoke nervously.

    Ronnie looked at Martha skeptically.  "Hey, Martha, is Steven the
sweetest guy in the world, or is he the best bullshit artist in Memphis?"

    Martha smiled.  "Choice A, Ron.  But don't tell him to his face, or
he'll blush and disappear."

    Ronnie laughed quietly, and smiled, and blushed.  She picked a twig
up off the ground near her shoes and picked at it and looked into the
lake with a thoughtful smile.  "Hey, uh...look, folks...You two wanna
come over to my place?"  She raised her eyebrows at me suggestively.
"I'll show you my etchings."

    We took a taxi to Ronnie's.  On the way, my young mind was inundated
with images of another night of unabashed eroticism.  In Ronnie's apart-
ment, Martha made tea while Ronnie showed me her design worktable and an
airbrush setup in the corner of her living room.  Ronnie told us to sit
in a circle on the living room floor.  For over an hour she laid before
us one after another of her artwork and drawings.  Though her place was
neat, frames and tablets of pictures seemed to come from nowhere; she
pulled them from under the sofa, from the closets, from behind book-
shelves.  Soon the floor was covered with her work.

    "This isn't what I do at the office," she explained diffidently.
"This is on my own.  I've been doing these for years.  Martha's the only
person who's seen most of it.  George destroyed a lot of them, but I did
lot of them over again."  Her art was either very darkly or very brightly
colored, all of it meticulously detailed.  "The darker ones are my dark
side," she told me, showing several oil paintings of a fetus surrounded
by black and crimson smoke which she had populated with the faces of
strange and frightening animals.  She had a large canvas that pictured
what seemed to be thousands of palm-sized, bright, multi-colored flowers,
each petal carefully rendered and detailed.  The title of the picture was
"Lust."  She said, "This one's the most difficult for me to explain.  I
was just thinking that word, and spent weeks drawing the flowers."

    She had a large tablet of pencil drawings that showed nude couples
in various sexual positions.  "I spent very little time on their bodies,
but their faces are complete.  You see, the man never quite enters the
woman.  They never quite kiss, either.  It's always the moment before,
because I didn't really know how the next moment felt.  And only their
faces have detail, because I wanted to picture them as people, not as
bodies.  The faces say that this is a woman, a person, and another person
is about to enter her.  Not a penis, a person."

    Then she showed a series of small paintings of a young, dark-eyed,
long-haired young girl in pastel dresses.  The girl sat on a swing in a
garden, cuddled a cat, stared sweetly at the viewer, or sewed a dolls'
dress.  In all the paintings the girl seemed serene, often happy, some-
times pensive, sometimes playful.  "That's not me," she said.  "That was
a girl I used to know in Michigan.  I always wanted to be her.  I don't
know if she was really as happy as I show her...but she seemed to be,
when I knew her."

    For a long time after showing the girl to us, Ronnie stared at the
pictures silently.  During this long moment, Martha looked at me cau-
tiously and then said to Ronnie, "C'mon, Ronnie put those away.  Let's
see something else."

    "No" Ronnie said absently.  "Let me look at her.  I haven't seen
these in a while.  I usually hide them from myself."  She bent down to
one of the pictures and ran her finger along the girl's face.  "Isn't she
pretty?  I always wonder what it was like for her.  I wonder what it
would be like to feel like her, to have someone make me feel like her,
make me smile peacefully the way she always did...Maybe someone would
give me a phone call sometime.  Or bring me a flower.  Or just kiss me,
without trying to invade me.  Y'know, just a little kiss that says, 'Hi,
Veronica.  How are you, Veronica, I'm glad to just be here with you.'"

     "Ronnie,' Martha began more strongly.

     Martha said quietly, "All right.  I'll put them away."  She closed
the drawing tablet, and Martha talked about something else for a moment
while Ronnie put the tablet away, and then Ronnie sat with us on the
floor and gazed at her hands in her lap.  "It wasn't supposed to be much.
I imagined a quiet night, you know?  A little restaurant that's good but
cheap, where you don't have to worry about what you look like or what
everyone else is doing.  And the guy would talk to me and he wouldn't use
words he didn't mean, and I'd believe him..."  Her voice fell to a
whisper. "Oh, look at me.  Look at big ol' Ronnie.  Oh, I'm sorry,
Steven, I--"  She hung her head and cried silently.  She put one hand
over her eyes and sobbed, "It's just a date.  Right?  It's just a date. I
don't even know the son of a bitch that well."

    She rose quickly and ran into her bedroom.

    "Damn," Martha said, rising to her feet, "I'm sorry, Steven, she's so
unpredictable."

    As Martha started for the bedroom I rose and held her by the arm.
"Look, you go in there, you know her better than I do.  I'll go out for a
minute so you two can be alone."

    Martha apologized again, but I said it was okay.  I left, leaving the
door unlocked so I could get back in.  I walked to an all-night deli that
I remembered seeing a few blocks away on East 86th.  In small wooden bas-
kets along the front of the store were some flowers.  I stood looking at
them for a moment, thinking:  Too presumptuous?  Too sappy?  I decided to
buy a single yellow rose, which the cashier wrapped in thin floral paper,
and I walked back to Ronnie's place.

    When I entered, Martha came out of the bedroom and said, "She's all
right.  Come on, let's go home.  She's going to sleep."  She saw the
flower I held.  "Steven, how nice."

    "A little too much?" I asked.

    "No," she said, tiptoeing to the kitchen.  "I'll put it in a glass on
her desk.  Don't worry, she'll see it."

    Back in Martha's apartment, she told me, "I didn't tell you every-
thing.  I didn't want you to accidentally make any refernce to it.  She's
very nearly an alcoholic, hon.  She's miserable.  She tries so hard, but
sometimes she's just miserable.  That was a very nice thing you did.  It
means you heard what she said, and you paid attention to her."

    I lay in bed as Martha unfolded her pajamas.  She asked me, "Did you
think something kinky would happen again downstairs?  Be honest.  I want
to know."

    I blushed.  "Yeah...I was thinking it."

    "Were you disappointed?"

    I thought about it.  "No," I said.  "I thought giving her the flower
was much more...meaningful."

    "It was, Steven," she said.  "You turned a schoolboy disappointment
into a very kind, unselfish gesture.  I'm very glad you did.  I'm glad
you realize that Ronnie doesn't need sex, she needs love.  Unfortunately,
despite what she thinks of herself, she's a very sexy looking young woman
and she looks soft and...too many strong men see her as prey.  And Ronnie
makes it too easy for them."

    She slid into bed beside me and leaned over me.  She asked softly,
"want me to make up for what you missed?"

    "I didn't miss anything," I said.  "What I ended up doing was better
than what I wished I'd done."

    She gave me a soft kiss on the mouth.  "Sometimes, Steven, it's nece-
ssary to erase yourself.  I'm glad you did it just because you wanted to
do it, and not because you expected something back."

    I sighed, "Anyway, you wore me out this week.  There wasn't much left
for Ronnie."

    "You never run out affection," Martha said, lying on her side toward
me."

    I yawned.  "I like going to sleep with you."

    She smiled, her eyes warm and soft.  "I'm going to miss you, Steven."

    Moved by a stinging pang of affection, I gave her a long kiss.  I
nestled into her and relaxed.  As I drifted off to sleep with her arms
around me I thought:  This part of being us is nice, too.  Just as nice
as anything else.


                             PART 13D:


    Saturday.

    I slept like a corpse until Martha woke me up at nine and told me it
was time for Fiore's last session.

    "Gimme a break," I moaned, hiding my head under the pillow.

    "Now you sound like a New Yorker," Martha said.  "Come on, get up."

    Again, I worked desperately in the club.  Again, Fiore grinned at
me.  "You do well for only a week!  Good!  But don't undo it on the last
day.  Slow down!"  At the end of the session he gave me a firm handshake
that had my jowels bouncing.  "You worked hard.  Good, I like that!  If
you come back, I give you a special price!  Hah?  Not becaue I like you
so much, but I am in love with Martha!  You're in love with her, too,
hah?  Only someone in love works that hard!"

    "Fiore," I said, not answering but looking him straight in the eye,
"Thank you."

    He laughed a hearty, knowing laugh.  Then he held up his famous,
warning finger.  "Watch your limits, my friend!  And good luck!"

    I took my time getting back to Martha's.  Going out of my way, I
entered Central Park and broke into a jog.  But I soon slowed to a tired
walk.  One day.  One more day.  "Never try to go back," Fiore had said,
"Only ahead."  He had said, "Watch your limits, my friend!" I heard his
words and recalled his instructions.  I was tired and, for the time
being, at a stalemate.  Torturing myself to surpass my limits at the
last minute wouldn't get me very far.  I told myself I would have to be
careful.  I couldn't push it.  I couldn't push myself too hard.  But
would I be able to avoid pushing Martha during the next twenty-four
hours?  As I strolled I continued to observe and memorize.  How long
would it take me to get back to New York?  I was a day away from the
airport, and I was already thinking about how to get back to New York.

    On my way upstairs I heard Ronnie's door open as I passed.

    "Hey, you," she called behind me.  I stopped and turned.  She
beckoned me to her with a finger.  She stood pursing her lips, her eyes
mildly accusing.

   "Full of surprises, aren't you?" she said, one hand on her hip.

   I grinned.  "You don't have to say anything."

   "Listen," she said, winking, "I owe you one."

   I winked back.  "You already gave me one."

   "I give dividends," she said wryly.  "Go on up there, Martha's waiting
for you."  She winked one more time and went into her apartment, her lips
forming a noisy smooch as she closed the door.

    Martha had constructed a huge salad for lunch.  Having got out of bed
too late for breakfast, I ate at her dining room table until I felt I
wouldn't be able to walk.  Martha was reticent.  At one point the room
was so quiet that I only heard her chewing and swallowing.  It was as
somber a meal as I'd ever had.

    "So what do you want to do this afternoon?" she asked, not looking at
me.  She prodded her salad listlessly with her fork.

    "Right now?  I want a nap."  I stretched and groaned.  "Fiore expect-
ed a full day's work, even on the last day."  I yawned.  "Wanna take a
nap with me?" I asked.

    "You go ahead.  I have so much to do to get ready for work again next
week.  I won't have time all day tomorrow, half the day will be at La-
guardia to see you off," she said, pushing a cherry tomato across her
plate.  "I wish you'd go straight back to doing what you want to do when
you get home."

    "I was thinking about that."

    "Don't think about it, Steven," she said solemnly.  "Do it.  You know
you want to.  Don't..."  She stopped and sighed and shoved the tomato in
her mouth.

    "Don't?" I said.

    She shook her head no.  I was reminded of how she'd behaved during
our last few minutes together at the Holiday Inn, years ago, in Memphis.

    "I won't preach," she said.  "I do enough of that during the week
and with Ronnie.  It doesn't do any good."

    "Im not ignoring you.  I listen to every word you say."

    "I hope so," she said.

    I rose and gave her a kiss and stretched again.  "Okay, we can think
of something to do later.  Anyway, I want to make that midnight trip to
the newsstand and get a Sunday Times, if we don't do anything else.  But
I'm really pooped right now.  You wore me out this week.  You and Fiore.
And New York.  And Ronnie."  She didn't say anything, so I kissed her
cheek again.  "It's been a wonderful week.  Really.  I'm not the same
person.  You did a hell of a job with me, and I'm not forgetting anything
I saw or learned."

    She gripped my hand.  "Good, Steven.  And I'm glad to hear you tell
me so, for a change.  Hey, go take your nap so we can get around a little
tonight."

    I got down to my undies and lay in bed.  A strong breeze blew into
the bedroom and smelled faintly of the East River.  I pulled the sheet
over me.  In about half a minute I was asleep.  I dreamed I was home.
I saw all the faces of my family, my parents, uncles, aunts, the Ricci's,
the Lobianco's.  They smiled amiably, some of them lovingly.  In the
dream I asked, "Who are you smiling at?"  No one answered.

   Then in the dream I heard Martha talking on the telephone.  I opened
my eyes.  The long shadows on the buildings outside the window told me it
was late in the afternoon.  I rolled on my back and stretched.  Martha
was still talking on the phone in the living room.

   "Ronnie, I don't know, I already told you...But there's not enough
time, and you know how something like that...Yeah, right...I don't know,
it's...No, I don't...No, honey, don't.  All right?  Please?...That's
better...Okay, I'll call you later, maybe...Maybe...Later, Ron..."

   Martha hung up.  I heard her moving around in the living room.  After
a minute she looked into the bedroom and saw I was awake.  She sat on the
bed, unsmiling.

    "Well?" she said.

    "I guess I'll just lie here and look at you for a while."

    She frowned and said, "Oh, you."

    "Well, what's wrong with that?  Why should I wear myself out on the
last day?  I've run myself ragged all week.  That's not what a vacation
is supposed to be.  I have enough money for a camera.  Why don't I buy a
cheap camera and take some pictures of Central Park?"

    "You really like it there?"

    "Sure.  Might even have a hot dog.  Fiore won't be watching."

    She looked down at her hands and fiddled with a finger and then
sighed and shifted uncomfortably on the bed and then dropped her hands
and complained, "Oh, hon, why is this so hard to say?"

    "I never knew you to have that much trouble saying what you wanted
to.  I envy you.  You're so much more outspoken than most people."

    "No, hon, it's--"  She gazed out the window with a look of painful
frustration.  "Oh, I..."  She sighed and looked down and confessed, "I
guess I don't want you to go."

    I didn't say anything.

    "Oh, baby, there was so much more I wanted to do.  It seems we're
always parting, we're always doing something else, and yet I...even if I
did everything I wanted to do, you'd still have to go.  And, anyway, I
can't do everything I wanted to.  I don't want you going back to those
people.  That's really what I don't want, I don't want you with them
anymore.  I want you learning, and growing, and -- But I can't have it, I
can't keep you like a damn gerbil and I really ought to just leave you
be.  I have no right to fill your head with wild ideas that you can't use
down there.  I really want you on your own, being you, and..."  She
stopped and winced.  She squeezed her temples with her palms.  "Oh, dman,
why can't I just say this?  Damn!"

    "I know what you're trying to say," I said frankly, getting up.
"Come on, I'll get dressed and we can see the Park."

    "We've seen the park," she pouted.

    "Come on.  Can I get a camera somewhere, real cheap?"

    "I guess so."

    "Come on," I said, putting on my shirt.  "I won't have you, or me,
sitting around here acting as if we were going to my funeral.  I wanna
have fun with you.  Come on.  And you were the one who told *me* that *I*
couldn't do everything in the whole world!"

    On East 86th Street I bought a cheap camera and some flashbulbs and
film.  It was near sunset.  I took a picture of her at the statue of Hans
Christian Anderson and she took one of me on Pilgrim Hill.  She cheered
up, but not by much.  Soon the sun was setting and we walked home.  For
dinner we ate more of the salad.  I took my day's third round of vita-
mins.  Then the yeast.  Then more yeast.  Then a third spoonful.

    "What in the world are you doing with all that yeast?"

    "Fortifying myself," I said.  I dipped into the jar for the fourth
time.

    "Good heavens," Martha breathed.

    I felt good.  I was rested.  I was drunk with desire for Martha.  I
was, secretly, desperate for her.  If this was to be our last night for
an undetermined length of time, I wanted to make it the most memorable of
the week.

    "It's dark outside," I said.  "Let's make it dark in here."  She sat
at the table watching as I went through the apartment closing all the
curtains and turning off all the lights.  She soon got the idea and sat
with a coy smile until I finished.  The apartment was inky dark.  I felt
my way through the black, toward her.  I heard her clothes rustling.  By
the time I reached her she had removed all but her panties and bra.  I
embraced her and kissed her hair and then her temples and reached behind
her to undo the bra.  It fell from her shoulders with a whisper.  I
breathed, "Here, in the dark.  Let's take our time.  We have all night.
You feel so good.  Did I ever tell you how good you feel?"

    "Yes," she whispered.  "Tell me again."

    I told her as she helped me undress.  I told her, standing and
caressing her lightly, running my fingers over her nipples and around
her waist and along her hips and across her delightful, warm, flexing
tush.  After a moment she knelt down and began softly tonguing and
mouthing my cock in the dark.

    I whispered, "Don't make me cum yet."

    "Okay," I heard her say.

    "I don't want to cum for a long time."

    "Okay," she whispered.  All I could hear or see or feel was her mouth
on me.  When I was hard and twitching, which didn't take long, she rose
and led me by the hand into the bedroom.  We both bumped into things and
sniggered and then slid into bed together.  Martha leaned over me and
gave my nipples inner-lip kisses.  It went on for a long time.  We ca-
ressed each other and whispered, our words growing more sensual and
arousing.  We slid on and off each other lazily.

    "Does that feel good?" she asked, running a fingernail along my balls.

    "Yeah.  Does that?" I asked, running my fingernail along the crease
of her still warm, moist derriere until I reached under her and felt wet
flesh.

    "Ah, yes."

    She moved up on me and kissed my neck, and I said "Mmm," and enjoyed
her doing it, and she licked my earlobes.  She whispered into my ear, "I
want more."

    "You'll get more, don't worry."

    "Steven...you've made me very hot."

    "Good."

    "No, it's different, it's...I need more."

    "Mm.  Let's see what naughty things can I think of?"

    "You wanna be naughty?"

    "Yes."

    "Really naughty, Steven?"

    "Yes."

    "Steven..." She licked my other earlobe.

    "Yes?"

    She paused and licked again.  "I told Ronnie today not to come over.
I wanted you all to myself."

    "You'll have plenty on your hands, don't worry."

    "Steven."

    "Yes?"

    "Was it good with her?"

    I didn't answer for a second and said, "You saw me, didn't you?"

    "But it felt good, didn't it?  I mean, different?  Good different?"

    "Yes."

    "Steven...hon...I was very excited that night."

    "I was too."

    "Were you?"

    "Yes."

    "Mmm.  Ah, your dick is wet.  It got wet talking about it, didn't it?"

    "Yes."

    "Wait," she whispered.  "Don't move.  I'll be back."

    I lay with my cock twitching in the dark while she fumbled her way
into the living room. I heard her dial a number and then she was talking
on the phone briefly.  I heard her hang up.  She felt her way along the
walls into the room again.  She lay down and leaned over me.  She whis-
pered, shakily, fearfully, "Hon.  Ronnie's coming up.  She'll be here in
a minute.  If it's not all right, tell me now.  I'm sorry, I feel...Oh,
Steven, it's scary, I feel so wicked.  Stop me while it's still time to
call her back."

    I could barely see her face in the dark.  "So call her back if you
want to."

    "I don't want to.  Do you want me to?"

    I waited.  "No," I whispered.

    I heard her breathing nervously.  She wiped her mouth and when she
whispered again her mouth sounded dry.  "Why am I so scared?  It's not as
if we never did anything before.  Steven, I haven't been like this in so
long...and only with you."

    "All right.  If you want me to, I'll call her.  What's her number?"

    "No."

    "You don't want me to?"

    "Hold me, hon.   Please hold me."

    I put my arms around her and she lay on me fully and held my face in
her hands and suddenly gave me a long, deep, loving, searching kiss.  The
kiss went on and on and she wouldn't interrupt, breathing through her
nose, her lips constantly mashing mine.  A little later, the front door
opened and clicked shut.  I heard Ronnie whisper, "Martha?  Steven?  God,
it's so dark in here."  Martha ended the kiss and whispered loudly,
"Ronnie.  In the bedroom."  Ronnie said okay, and Martha slid down my
body and started licking my legs and balls.

    Ronnie knocked something over in the living room.  It fell to the
floor, sounding like a big book.  "Sorry," Ronnie said.  "Leave it to me,
right?"  Soon she appeared in the doorway, feeling her way along the wall
and then past the door, saying, "It's a good thing this apartment is
exactly like mine.  It's so dark in here."

    "Wait," Martha said.  She got out of bed and gave me a beautifully
vague view of her rear as she hurriedly slid past Ronnie into the living
room.  Ronnie peered into the bedroom from the doorway.  She appeared to
be wearing a blanket or a bathrobe.  "Steven?" she asked, moving into the
room.  "What the hell is Martha doing?", and I answered, "I don't know."
Ronnie felt along the wall until she was in front of the bed and then I
felt her hand patting the foot of the bed, and she touched my foot.
"Oh!" she exclaimed softly, and laughed gently.  "That's you, right?"

   "My foot," I answered.

   "This is crazy," she said, but she sounded as if she were smiling.
"Yeah, I'm starting to get used to the dark."  Her hand slithered up my
leg.  "God, I can't get used to how warm you are.  What the hell are you
two doing in the dark like this?"

    "Planning a new deterrent against the Soviet Union."

    "Ooooh," she said. "I do a little of that in my spare time, myself.
How far along did you get?"  Her hand found my cock and closed around
it.  "Hmm.  I see I didn't get here too late.  Or just in time?"  Her
hand squeezed and rode up and down.

    "Careful," I said, loudly.

    "Okay.  Sorry."  She removed her hand and stood up.  She called,
"Martha?"

    In the living room, I heard the sound of a match flaring, and then
the dim glow from a candle trickled into the room.  Ronnie stood at the
foot of the bed in a fluffy terrycloth bathrobe, smiling at me.  She
looked down and saw my cock standing straight up and her smile widened.
"Oh," she said.  "There you are."  She slipped the bathrobe from her
shoulders and let it slide to the floor.  In the near-dark her small,
slim torso and her long legs and arms and small tits were outlined
faintly in yellow.  The candlight danced and flickered on her soft
flesh.  The whole scene was dreamlike, unearthly.  I lay in a fog of
uncertainty, swallowing as a wave of weird, undefinable sensations swept
over me.

    "Martha told me earlier she wanted you all to herself."  She put one
knee on the bed and leaned toward me.  She gave me a small, amiable
smile, her dark eyes glinting with two tiny, fiery dots of light.  "But I
insisted.  I still owe you one."

    Martha came into the room and slid into bed beside me.  She sat up on
her legs.  Her face was calm, unsmiling, composed.  But her eyes had a
darkly eerie intensity.  I turned to her and she leaned down and kissed me
softly.  "Do you still want to?" she whispered.

    I kissed her back.  "For you."

    She whispered, "For you, hon.  Us.  Three of us."

    I heard Ronnie whisper, "You two are so romantic with each other."

    I asked Martha, "Still scared?"

    She swallowed.  "A little."

    Ronnie said, her hand sliding up my leg.  "Your darkness, Martha.
Remember?  It's your darkness.  You're always so scared of it."

    "I know," Martha said uneasily.  Her lips touched mine briefly and
left a tiny string of moisture between us. "But Steven's not afraid of
his.  At least, I don't think so.  He's the one who turned out the
lights."

    "Steven," Ronnie said, settling on the bed with one thigh over my
legs.  Her wet cunt was on my knee.  "You're so full of surprises.  Hmm,
is there no end to it?"  Her lips touched my thigh and then slid wetly
across the head of my cock.  I kissed Martha again.  She held my face and
kissed me back, and then looked at me with the same unsmiling face and
then her eyes seemed to simmer with a soft heat.  "Don't let him cum,
Ronnie."  Then she looked back at me.

    She whispered almost inaudibly, her voice urging me with an other-
worldly intensity that I had never heard in her, "Fuck Ronnie, Steven."

    Ronnie had condoms in the bathrobe pocket.  She looked up at me as I
lay between her raised knees and she smiled mischievously as she unrolled
the condom onto my waiting cock and then aimed me into her.  Her smile
melted into a steady gaze as I slowly fucked her.  She said it was nice
to look into the eyes of someone fucking her so gently.  "Intense," she
breathed, "So intense."  As my finger did on Wednesday, my cock found
Ronnie narrower than Martha, but deeper, and the dulling condom had me
wondering how it really felt inside her.  The condom slowed me down;
there was just enough sensation to keep me hard in Ronnie.  She said I
was just the right size and shape and that I felt very comfortable in
her.  I had difficulty contacting her clit because she had her legs
around me and she kept moving too much under me.  Soon I felt I might
cum, so I left her and rested for a minute and then Martha was ready.
Martha refused to use a condom, so I removed it and entered her without
one.  Ronnie said she didn't know how Martha could chance it without
protection, and Martha said it was a safe time of the month and she had
additional means for later, and Ronnie scoffed and said, "God, Martha I
can't trust the papal method."  To Ronnie's amazement, Martha came almost
immediately, and loudly, and I had to move very slowly to hold myself
back, but I knew I couldn't resist much longer.  Ronnie said she never
saw a man ejaculate, so Martha asked me to pull out so that Ronnie could
finish me with her hand.  I sat up on my legs and Ronnie sat in front of
me jacking me off gingerly.  I squirted high onto her forearm and Ronnie
looked at it and breathed an amazed "Oh," and then she squealed
delightedly as I squirted on her shoulder and then on her left nipple,
and then she slowed her pumping and chuckled, pleased, as cum splatteed
onto her forearm and then twice onto her wrist, and then she crooned a
motherly, "yeah, honey" and watched my eyes as the rest of it sobbed out
warmly over her hand.

    While we rested Ronnie asked Martha how it felt to cum during
intercourse, and Martha tried to describe it but couldn't.  They both
stroked and sucked me until I was ready again, which took longer than I
expected, considering how heated I was, and Ronnie put another condom on
me, saying, "Warning, folks.  I don't know how you're gonna make me cum,
Steven, I don't have the slightest idea what to do."  Martha and I
prompted her, telling her not to raise her legs over me but to learn how
to angle her pelvis so that my cock could find her clit with the rubber
on, and after a while I found ways to sense her needs and she smiled up
at me in surprise and muttered, "Oh, yeah.  Yeah, I see now.  Oh, I
*feel* it!  Oh, keep doing that!  God, it's so good, it's right on it!"
Martha asked if Ronnie were comfortable and Ronnie was quickly growing
agitated and she gasped, "Who cares if I'm comfortable, it works!  God,
it's good!"  She watched me going in and out and looked up at me and I
whispered, "Feel it now?" and she leered and whispered "Yes," and I asked
her "Just like that?" and she whispered "Yes" and she watched my eyes and
in the same secretive whisper she asked me, "Feel the darkness?  Feel the
darkness, sweetheart?" and I moaned "Yes," and her blue eyes glowed with
a deep, dark, moist blue and she smelled humidly like sage and she
whispered, "Me, too.  So good.  So sweet good," and Martha gazed at me
from beside Ronnie's face and she held my cheek and smiled lovingly and
said "Devils are dancing in your eyes, Steven," and soon Ronnie's eyes
closed and she whispered dreamily, happily, "I'm a little girl...I'm a
small...soft...wet...fucking little girl, and my darkness and Steven's
darkness are fucking.  It's so good, Martha.  Oh it's so good," and
she ground her cunt on my cock and I fucked her deeply and methodically
for several minutes, and then I slowed as she gasped and trembled and
winced, and she came loudly, her slim hips yearning off the bed and her
pelvis quivering against me.  When it was over she breathed, "Jesus!" and
I held her for a while and then Martha kissed me.  And I wanted Martha. I
had fucked soft, slender Ronnie with a pure and strangely gentle lust.
But I needed Martha's love and passion and raw intensity.  I entered
Martha without the rubber.  Uncontrollably we whispered obscenities while
we screwed and Ronnie gaped at us and then caught on and lay with her
face close to Martha's, whispering the same words and phrases in Martha's
ear as Martha started cumming, and Martha came wildly, gritting her teeth
and laughing "Yes!".  My cock was so hard I wondered if it would fall off
if it got any bigger, and Ronnie asked, "Wanna cum in me?" and she got
another condom onto me and I fucked her hungrily with her knees raised
and her legs spread the way she liked it.  But I couldn't finish with the
rubber, so Martha lay back and rolled me onto her and removed the rubber
and put me inside her.  She told Ronnie as my pumping became arduously
slow and deliberate, "He's close, Ronnie, he's close," and Ronnie asked
her how she knew and Martha grit her teeth as she watched me straining
into her and told Ronnie "I know, that's all," and she told Ronnie to put
her fingers on the muscles under my balls.  Martha said, "Do it, Ronnie,
hurry!  He's so close!"  I felt Ronnie's fingers searching under my
scrotum and then she pressed and found the knot of muscle and I started
squirting and heard Ronnie gasp, "God, Martha, yeah," and Martha grinned
at me and her eyes were flaming and strange and crazed and her cunt
squeezed and she asked with a greedy smile, "Good?" and I gasped
breathlessly, "Fuck," and I came with Ronnie's fingers under my balls and
her lips kissing my left buttock and I growled "Fuck" into Martha's wild
gaze, and I came for such a long time that Martha's eyes on mine turned
into a blind stare and she whispered "I'm cummin' again--oh I'm...oh,
hon!" and then her eyes closed and her cunt contracted.  I finished, but
kept moving until she finished as well.

    We rested again and got into a long, poetic, whispering session with
Ronnie about her drawings of darkness.  As Martha dozed off, Ronnie and I
continued talking about her drawings while I fingered her until she came
again.  "Another first," she sighed, her hips nodding as she finished.
Soon we were all asleep.  I awoke in the dim light and saw Ronnie getting
dressed.  She smiled at me and gave me a little kiss.  Then she looked at
me and put a palm against my cheek and said, "That was good.  That was
good and dark and wonderful.  I want to leave Martha alone with you.  She
loves you, Steven.  You know that, don't you?  So do I, now." She gave me
a long, deep kiss, her tongue lathering mine, and then she crept out of
the apartment.  Martha slept.  I lay on my back with my arm cradling her
head and fell asleep again.



                             PART 13E:

    I blinked.  The room was black.  The candle was out.  Vaguely, I
heard distant sparrows.  Vaguely, I felt a warm, small, still hand rest-
ing on my cheek, barely touching my skin.  I saw lips near my face, and a
face so close to mine that my sleepy eyes couldn't focus on it.  Before I
saw any features or sensed any other signals, I knew the face and hand
were Martha's.  I was on my back but leaning slightly to my right, my
right arm slung across the bed toward the night table at the right of the
bed.  The only thing I could see clearly in the black room was the lumin-
ous dial on the clock.  It was five minutes after five.

    Without a word, Martha lay on her side, close to me, one soft, re-
laxed nipple on my right shoulder.  I closed my eyes again, drifting in
and out of sleep as my drowsy brain tried to put the room back together.
Her left arm cradled my head into her shoulder.  Her length lay snuggled
along my right side, her tuft warm and crinkly against my right hip, her
right leg draped around my right thigh.  I settled fully onto my back and
her face turned and looked into mine.  She said nothing.  Her only move-
ment was the slow grazing of a finger across my forehead.  She repeated
the motion over and over.  I felt her eyes gazing at my face, then felt
her head move as she looked toward the window when a small gust ruffled
the curtains, and then she looked into my face again.  I opened my eyes
briefly and found her gazing at me: a warm, calm, caring, sisterly
gaze.  I closed my eyes again and wondered if this part of the long night
were a dream.  The lust that earlier drenched the room had evaporated.
The room was a still, silent peacefulness.  I floated, feeling only
Martha's heat against me and her leg over mine and her finger on my
forehead.  Time passed.  Her right hand that had stroked my forehead now
cradled my cheek, her thumb softly rubbing my left eyebrow.  My eyes
closed.  I felt the warmth of her face close to mine and felt her gaze.
Her thumb made love to my eyebrow, carefully, soothingly.  Then her thumb
stilled and her hand pressed my cheek almost imperceptively, and her very
warm, moist, soft lips fit themselves perfectly to mine -- a strangely
unsexual, unwanting kiss, a simple touching.  She did this several times,
lifting her head and then matching her lips to mine.  And then her lips
stayed, pressing slightly.  A genuine, easy, affectionate kiss.  She
lifted her face again and touched her lips to my cheek, nose, eyelids,
and then down my other cheek and across my jawline and then around my
neck. No demands.  No urgency.  Only a touch of her lips.  And this, too,
she repeated, and then again.  There was a pause and I felt her gazing
and heard her breathing calmly and she seemed to be not gazing, but
watching, waiting.  And then her lips on mine again, but this time more
wetly, more warmly, and it was more a kiss than a touch, her own lips
slightly parted and wetter now, and she pressed her lips to mine but, at
the same time, she didn't press; she skimmed her inner lips across my
lips. And for a long time that way she made gentle love to my mouth with
hers.  And then her mouth met mine and the nipping and light puffing
kisses began, trailing down my neck and onto my right shoulder, then
across my throat and onto my left shoulder, her lips opening and her
tongue touching my flesh but not moving, remaining there, tasting,
giving, and I let my head fall to the right and blinked.  The clock said
five twenty-nine.

    She withdrew her tongue, lifting her head, and stroked the spot on my
shoulder that her tongue had warmed, and then her tongue returned, and
the small, soft kisses returned, across my nippples, pinching me ever so
slightly.  Then her shoulders moved and her right hand stroked my left
waist and her lips moved downward, her head dipping gently and sweetly,
and she kissed so lightly and so quietly that I heard nothing but her
breathing.  She made wide circles on me, circles that became slowly
smaller, a mouth that became slowly wetter, and the circle started above
my navel and swung around my left hip and across the top of my right
thigh and then across the left thigh and then around my left hip and back
to the spot above my navel.  And the kisses never changed but the circle
became smaller and smaller.  After a long time the circle was only a few
inches around my softened cock.  I blinked again and the clock said
five-fifty-one.  Inexplicably, her mouth seemed lustless, angelic,
motherly, innocent.  She merely touched, and loved.  And then the circle
was smaller and the slow, infrequent kisses moved into my pubic curls and
then to my cock, and a few seconds passed between each kiss as she
touched them to my sleeping shaft, from the bottom and slowly to the top,
then down.  And then she stopped, and nestled closer, bringing her head
over my loins, and I looked down and saw her gazing at my cock, her left
hand circling and then holding it with only an inch of the awakening tip
above her thumb, and she seemed to study this sight with a gentle,
girlish pout.  And then she lowered her head and licked my tip. She gazed
again, the same way as before, and still holding me she made a little 'o'
with her lips and circled my tip with her inner lips and gently tongued
the slit, and she did this for several seconds.

    Then she removed her hand and her lips and started all over again,
above my navel, in a wide circle.  And she closed the circle slowly, and
kissed up and down my listlessly but gradually responding shaft, which
ached from its earlier striving.  And then the lick, and then her wet
lips gently mothering my tip.  All the while, there was no demand, no
hunger.  Only a learning, a knowing, a loving.  I looked at the clock.
Six seventeen.  I thought: only Martha could do this.  Only Martha would
think of this.  Only Martha could love in a way that was flaming lust
and, later, angelic nurturing.

    Now her lips at my tip opened.  Slowly, not inch by inch but milli-
meter by millimer, her lips sunk down and her mouth enclosed me. The only
sound in the room was her breathing through her nose.  After, it seems,
three minutes, she engulfed my half-hardness completely.  And then it was
another three minutes, it seemed, while her mouth and tongue rose back to
the top, and then her inner lips and her tongue swabbed me gently, and
her mouth let me go.  And she continued to hold me and she gazed at me
while she swallowed and she settled closer.  And then she did the same
thing all over again.  And after she had gone through the same, unhurried
enclosing for the fourth time, I was rigid and hard and good as new,
saying hello to the roof of her mouth with a feeble pulse now and then,
especially on the downstroke.  The rest of me was torpid and slow, but my
cock reached skyward.  Now I was slick with her, and after she removed
her mouth her cupping hand enclosed me and stroked me easily, loosely,
slowly, and she watched, calm, unhurried, serenely pleased as I grew in
her hand.

    And then the soft, subtle sucking began.  One suck, two, three, and
then her lips would gently enclose and wetly swathe the sensitized tip,
circling slowly.  And never a hurry, never seeking more, never a thought
of the next moment, but always a slow, moist lingering in the present.
Then I surmised what she was doing.  As I had done in the streets, she
was memorizing.  She seem to nurse, protect, savor, and record each
moment, each sensation, each response.  Her eyes never left my cock.  And
as she saw my hardened shaft pulse, the glimmerings of a satisfied smile
crossed her face, and she lifted up and put her hands astride my head and
her knees astride my chest, and she raised onto her arms and looked down
between us and centered her middle over mine and, carefully, she lowered
herself and pressed my cock against my stomach and setted on me with the
top half of my cock nestled in her tuft and the lower half cradled in her
humid slit.  Then she settled onto her elbows and arranged her nipples on
mine, and she hugged her body against me, and hugged her elbows into me,
and hugged her knees into me, and held my face.  Her lips hovered over
mine briefly.  Her eyes flutterd and closed and she whispered with a
soft, almost religious hush, "Baby.  My baby."  And then she kissed my
mouth.  Fully, her lips pressing and gliding, her tongue slithering.
Without hunger, without yearning.  But with patient need and relish.

    Her lips left mine.  Rising again, she looked down the length of us
and I looked down and watched and she watched as she carefully raised her
belly and allowed my cock to stand.  She lifted a little higher, and her
slick outer lips found my tip, and circled it, and she let her sticky
outer ring caress and then enfold my tip, as the lips of her mouth had
done, and she raised and lowered, minutely, barely visibly, and her outer
lips kissed and bathed my tip.  My cock yawed and greeted her, and
nestled to her.  I heard her steady, concentrated breathing, and my own
broken sighs.  I rested my hands on her circling hips and let my head
fall back, and enjoyed not the lust but the love, the pleasure of being
learned, intimately mothered, friended and pleased.  Each movement, each
pleasure, each moment was its own.  There seemed to be no impatience for
whatever was next.  Her cunt caressed my tip for a while, and she lifted,
her breath mildly irregular as her slit relinquished me, and I felt a
thick, warm drop from inside her, whose source could only have been my
cumming inside her earlier, that trickled onto my tip and teared downward
and then onto my tummy.

   And then with a quiver in her breath she contacted my tip again, this
time sliding her wet opening along my shaft until I felt the tip of her
firming clit slide along my flesh.  She nudged my tip and, still looking
down, massaged my slit with her clit, around, up and down, and her breath
quickened.  She wetted and pleasured her clit on me for a moment, and
then she raised again, and her slit clung to my tip and my my cock was
lifted straight up.  And with a long sigh through her nose and a serious,
intent pout, she lowered and then engulfed me fully, and ground her belly
benignly on me.  Relaxing onto her elbows, she brought her face close to
mine again, and tenderly held my face between her palms, and kissed me.
Then, her breathing broken only by small, occasional gasps of pleasure,
she started fucking me languidly.

    Or, I should say, made love to me and paused just long enough to
memorize every move, every response, every sensation.  Her eyes closed,
her mouth calmly set, she rose and fell on me with apparent relish and
care and concentration.  When my breath quickened and my cock lurched in
her, she stopped, paused, and raised her tummy and looked down again. And
started over, from the first loving swab with her outer lips, and then to
the nudging and sliding of her clit, and then to enfoldment, and then
fucking.

    And again she did that, and again.  And on the fifth effort, I felt
her back tense and curl, and she didn't pause in sliding her clit along
my shaft.  She gasped, and her face near mine breathed with a short,
broken, quickening rhythm, and she closed her eyes and her lips tight-
ened and she frowned as if deep in concentration, and her clit on me was
as firm and taut as a sparrow's beak, and her juice flowed on me and she
came, quietly, with a long trembling sigh, and her hands tightened on my
face, and her arms shook, and then she pressed her clit against my
cock and paused, and quivered, and jerked with a small, low-pitched,
clipped "Hm!" from deep in her throat, and then another pause and a long
quiver and a jerk and a then "Hm!", and then again, and still another,
and then she slumped with a long, wobbly exhalation, and then she raised
on her hands again and swallowed hard and whimpered, and she rested for
a brief while while her breathing slowed.

    Then she looked down between us, aimed, enfolded me, relaxed on her
elbows at my sides, and held my face tenderly.  And began again.

     It was nearly seven before I found the strength to climax.  Finally,
the blissful agony began.  I felt the first twitch in my tired balls.
Martha looked down, and slowed, but kept going.  Her inner cunt milked me
on each upstroke.  And I thought:  How does she know?  How does she
know?  I spouted.  Thin, watery squirts were all I could manage.  But it
was warm, eager, leaping high into her like salmon.  I kept cumming after
my weak, empty tubes had given their last, and I heaved and panted and my
shaft continued to pulse.  I think I made a loud noise but I couldn't
hear myself.  The long orgasm was poignant and tight and deep.  She
milked me snugly and let me wander in my cumming for as long as I could.

    Then she melted into me everywhere.  She closed her elbows and her
knees and her arms on me and her torso pressed into me and she became a
mothering cocoon around me, and she kissed me passionately.  She stroked
my hair and kissed my face.  She whispered, "Baby.  Baby."



    After lunch and packing, we took a brief stroll along the river near
Gracie Mansion.  I leaned on a railing and looked toward the city and
down the line of the promenande into Manhattan.

    "Will I see this again?" I asked.

    "Oh, of course you will," she said.  She stood behind me, her short
hair rustling in the breeze, and put her arms around me and folded them
around my chest.  She spoke, then, more than she had spoken all morning.
She spoke clearly, slowly, her voice raised barely above the sounds of
the breeze, the rustling trees, and the flowing river.

    "Hon, you may be only five-foot-seven and wear glasses, and you look
sweet and innocent...but you have a great power inside you.  You have an
intensity that is...consuming, and almost frightening.  I know you do,
because I've seen it, I've felt it.  And I know you do, Steven, because I
have it in me, too.  This week, I knew what I probably always knew...That
intensity has bound us for a long time.  I discovered that if I couldn't
express it with you, I felt smothered.  And when we smother ourselves,
that intensity controls us and it makes us do things we should never,
never do.  Being mean to each other in so many subtle, hidden ways.  And
being too nice for too long until one of us explodes.  Taking, without
knowing we're taking.  Or...making promises we have no way of keeping.
Steven, don't let them smother you back home.  When you're smothered,
your strength becomes rage, it becomes hatred.  It can be so very cruel.
But you're too outwardly kind, and you don't turn that cruelty and rage
onto others.  You turn it against yourself.  Don't smother yourself,
hon.  Understand yourself.  Use it, the way you told me you want to.
Don't go back to the way you were, or you're going to hate yourself, and
your needs will turn against you.  Or even against me.  If nothing else,
when I see you again I want you the way you are right here, today."

    She hugged me from behind.  "That's my last speech, cowboy.  Last
lecture for the semester.  You ready to go?"

    "No," I said.

    "I know, hon.  Come on."



    Martha and Ronnie and I in a taxi.  Ronnie smiling and only half
awake, even at three in the afternoon.  Martha subdued.  I pretended I
didn't give a damn.  We all smoked.

    Mertha and I and Ronnie in LaGuardia.  Martha and Ronnie talked.  I
paced and looked out the viewing windows, and smoked.  Time moved more
quickly.  The past week seemed like only a few seconds, a few, paltry
seconds.  Time rushed.  It rushed into my face.  I couldn't stop it.  I
couldn't slow it down.  The more I thought about, the faster the clock
changed.

    "Announcing American Airlines flight 54 to Washington, D.C., Atlanta,
Georgia..."

    "That's it," I said into the window.  I strode to the seats where
Martha nd Ronnie stood to hand me my carry-on bag and my copy of the
Sunday Times.

    "Watch those stewardesses," Ronnie said.  "I hear they're pretty
loose women."

    I shook my head, pleasantly.  "Ronnie, you wore me out."

    She took a drag off her cigarette and grinned and exhaled.  "Eh.  You
can make more, right?  Takes you Southern guys a little longer, thank
god."

    I slung my bag around my shoulder and walked to Ronnie and reached
for a handshake.  She took my hand, and then pulled me to her and held me
tight.  Into my neck she said, "Thank you, Steven.  Thank you so much."
She leaned back and beamed at me.  "You comin' back soon?  Right?"

    I said, "Nah, you'll be married."

    "Yeah, right.  Gimme a kiss.  C'mon."  I did, and she smiled and
pinched my cheek and wiggled it.  "Hmm, MMM!"

    I turned around and looked at Martha.  My tongue froze in my head.
She smiled calmly.  Her hazel eyes watered.  Martha threw Ronnie a
glance, and Ronnie walked away, waving a small bye-bye and smooching at
me.

    "Steven," Martha said.  She pursed her lips and swallowed.  "Damn,
what happened to those ten days we had a few days ago?"

    "Yeah, I know."  I glanced behind me and saw the passengers filing
slowly through the exit door.  I said to Martha, "I have another minute,
anyway."

    "Hon," she began.  She sighed and bit her lip and held her hands
behind her skirt.  "Oh, there's never enough time."

    "I don't know," I said.  "We seem to be pretty good at catch-up,
don't we?"

    "Steven, I...Steven, I don't know what to say, except...I know you
expected more..."

    "I'm not expecting more," I said, gently.

    She looked down at the floor.  "Steven, I'm letting you down.  You're
not saying it, but I know I am.  But I can't say okay if I don't mean
okay, and -- "

    "Hey, I thought the lectures were over for the semester."

    She blushed.  "Damn, you sure know how to be nice about it, don't
you?  Thank you.  I'm so afraid sometimes, that you're just saying it."
She kept smiling, she had to wipe a corner of one eye.  "Will you forgive
me, Stephen?"

    I frowned, in my best Cary Grant manner.  "For what?"

    She said softly, "For not giving you everything."

    I sighed and glanced to see how short the line was.  I said, "Well,
let's see...You didn't lie, you didn't cheat.  You helped me get rid of
my pimples and you got me a great haircut.  You fixed me up with a great
date and you shared Ronnie with me.  You took my ignorance and you gave
me knowledge.  You, uh... You were my friend, my teacher, my sister, even
my dad and my brother.  You were my mother, my confessor, my girlfriend,
my lover, and my sweetheart.  Let's see, you, uh...You gave me affection,
passion, lust, and...you gave me love."  I sighed and looked up at the
ceiling, and hung my head in mock sadness.  "But I guess I just can't
forgive you, Martha, for spending so much money on that typewriter."

    "Stop it, Steven," she moaned, and she held herself close to me and
then she gripped me tightly and cried a little.  She said, "Don't you
dare make me cry in here, I'll slap your face."  She put her arms around
me as tightly as she could and we hugged and swayed for a minute.  She
whispered, "Goodbye, Speedy.  Goodbye, now.  Go on."  She held herself
from me.  Her eyes were red, but she grinned.  "Go on, get on your plane,
before my landlord finds out about you and raises my rent."

    I stared at her.  "You called me Speedy?"

    She blushed again, and pushed herself a little farther back.  "Do you
know, when you were with me early this morning, you called me Martha
Jane?" She saw the surprise on my face, and she released her tension with
a quick little laugh.  "You did.  Go on, Steven.  Go on, you'll miss your
plane!"

    I looked at her.  She backed away.  Several yards beyond her, Ronnie
waved and smiled.  My eyes were on Martha.  My eyes wouldn't leave her.

    "Steven," she insisted, crying.  "Steven, go on!"  She stopped
backing away when I threw her a kiss.  She waved at me, her other hand
rubbing her forehead and wiping an eye, and I turned and started for the
exit.  The other passengers had gone ahead.  At the door I stopped and
looked at her again.  She smiled, sadly, and she lifted a palm and waved
weakly.  "Go on!"

    Inside the door I showed a stewardess my tickets and receipts.  She
smiled and said thank you.  I went down a short stairway and out another
door.  Into the sun.  Onto the walkway.  I slung my bag over my shoulder
and walked.  Ahead, more blazing sun and blinding concerete and another
stewardess and the metal boarding ramp and the DC-4.  Ahead, Memphis.

    Halfway to the plane I slowed.  Why had she called me Speedy?  Why
would I have to forgive her?  An unseen, ominous weight dragged me to a
stop halfway down the walkway.  I waited.  Three of me waited: one me
behind, one me ahead, one me watching the other two.  Why did I have to
go?  Why couldn't I stay where I was?  I turned around to scan the huge
terminal and the dark, looming windows.  I saw only the reflection of the
airplanes and the airfield.  Where was she?  Why did I have to leave?

    The stewardess ahead called, "We're boarding, sir."

    I looked ahead, lost in the middle of the walkway.  With a friendly
smile we're taking you back.  Back where you came from.  Back where you
started.  Back to the home that isn't a home.  Back to the stifling heat and
the bleeding saints, the plastic christs, and the old women and old men
lashing me down for a ride to a heaven that didn't exist.

    "Boarding, please," she insisted nicely.

    Not being myself, I took a step forward.  One step farther away.  A
second step, a second step farther away.  Then more steps, and farther
away.  One universe expanding, one universe contracting.  Myself, growing
and shrinking.  One person moving forward, one moving back.  Onto the
ramp, my face a pale mask of the striving within.  Up the ramp.  Into the
door.  Down the aisle.  Into my seat.  I sat.  I slumped, numb.  I gazed
out the window, my eyes unfocused.  Soon the ground crept by, and then
the ground soared by, and then New York disappeared below the window.

    One of me stayed on the ground, without provisions or hope or sight
or legs, and refused to leave.


                          Continued...


-- CJ
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I didn't write any of the stories I'm reposting.

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