Note: This story was dynamically reformatted for online reading convenience. THE SLAVES PROGRESS, A ROMANCE. (c)2004Maslakovia Studios maslakovia@yahoo.co.uk ISTANBUL, APRIL, 1884 PART ONE THE HOUSE IN GALATA The moonlight's silvery sheen covers the darkened buildings as the black steam-carriage quietly drives through the back alleys of Istanbul's Galata district. The labyrinthine streets twisting in the night up from the passenger dock at the shore of the Golden Horn, pulling the wealthier travellers to the delights of the nearby Rue de Pera, home to the foreign embassies and their associated hotels. Galata itself, a haven of small-time criminals, prostitutes, Jews, Armenians, Arabs, and Europeans of a certain type, exudes an air of menace, even to the hardened men who crew the steamships and the massive steam-driven airships docked and pyloned at the port of Karaköy below. Money is gambled, vast quantities of alcohol, opium, and hash consumed, women fought over, and men sent to an early grave far from home. The jumble of wooden, brick, and stone houses proving to be a maze of much deadlier intent than the childish attempts of English landscapers. The carriage eases to a stop in answer to its passenger's soft rap on its roof, the driver engaging the braking lever as he jumps from his seat. The carriage door is opened even before he can reach for the handle and his tall, foreign passenger steps down into the cobbled, slimy street. The driver's mate looks around uneasily at the tall buildings looming crazily around them, not a light to be seen, no sounds save for the far-off howling of one of Istanbul's innumerable packs of roaming wild dogs. The tall foreigner, his long, expensively tailored coat opened, his tall hat under his arm, stroked his handlebar moustache and turns to speak to the driver in the clipped terms of the English military aristocracy. 'Unload, start with that large one.' He points to the darkened wood seachest fastened to the rear of the carriage, its brass fittings shining white in the eerie moonlight, its leather straps tightly buckled, and a curious array of small holes drilled neatly into its lid utterly ruining its designed purpose. As the two Turks begin to loosen the ropes around the chest with all the enthusiasm of a couple of Egyptian sentries looking at the tanks, steam catapults, and desert walking machines of the Mahdi's army from the walls of Khartoum, the Englishman authoritatively marches up to the door of the nearest house. Rapping once, he steps back. Presently, the door opens to reveal the inescapably gnome-like features of an English gentleman's gentleman. He looks around in a state of some perplexity before his eyes adjust to the dark and he can make out the face of the visitor. 'Lord Haswell!' he exclaims. 'Yes, Arthur, thrilled to see you too,' Haswell makes no attempt to disguise the ironic timbre to his voice. 'Earl Shadforth is at home, I take it.' Haswell also makes no attempt to halt his progress as he marches through the hallway of the house and into its study. Lord Richard Abercrombie Fitzsimmon Haswell, dissolute, libertine, adventurer, head of a particularly successful baby-farming enterprise, exporter of English girls to Belgian brothels, and, most recently, as we shall see, kidnapper. Haswell's life up to this point has been a long list of adventures far, far removed from any concept of genteel society, he is a brash, confident man of no small intelligence and humour, although anyone meeting him for the first time is more than likely to check that both morals and pocketwatch are still securely in place upon leaving. However, there is to be a change in the life of this immoral adventurer, he has already primed the boiler and unlocked the brakes of fate's Prime Mover, and now something he could never suspect will send it crashing through Haswell's life with pachydermal levels of force. The more astute reader will no doubt have a clear concept of this agent of change. The rest will have to wait until the box is opened. For now, we return to the opening of the study door. Earl Peter Shadforth has been hoping for a quiet few weeks away from England and his admittedly ghastly family. The house in Galata, rented under a pseudonym of little believability, but ample financial support, is his hideaway. A place of relaxation, where a gentleman of means can indulge any whim, no matter how twisted, without feeling pressurised to conform. At this moment, as Haswell opens the door, the study is a room of dark wooden tables and bookcases, mixed with leather library chairs and various Ottoman carpets and tapestries. A well stocked drinks cabinet takes pride of place in one corner, opposite a small locked cabinet, which contains the Earl's complete collection of hallucinogens and relaxants. The low gas lighting bathes everything in a warm dirty-orange glow. Earl Shadforth, comfortably in his favourite chair, whisky by his side, an illustrated copy of Goblin Market in one hand, semi-tumescent organ in the other is, as one might assume, in a state of some disorder. 'Dickie', he begins, 'my word, I never expected to see you here, I thought you were to be in Maslakovia for at least another month.' He hastily puts both book and member away; drains the remainder of his drink. 'That was my plan, Peter, but I,' he pauses, 'I had to cut my visit short.' Haswell smiles at his friend's uncomprehendingly dull-witted expression. Shadforth blinks, forgets that he has done so and blinks again. He does this several times until Haswell becomes concerned that he has developed some sort of oriental tick, finally the Earl gets his words gathered in. 'But, but, but,' admittedly not that well gathered in, 'but Dickie, Maslakovia, slaves, unbridled libertinism with tightly bridled pony-girls, I've been trying to get in for years and you cut your visit short! Are you unwell? Dying? Pox'd? Cursed? Religious? Please, Dickie, tell me that you're all right!' Haswell sighs, the seachest, weighing heavy in the arms of the carriage-driver and his mate, has made its way into the study behind him. 'Put that down, and get out.' Haswell closes the door behind them. He bends to undo the straps. Shadforth opens the valve on a nearby gas lamp and peers over Haswell's shoulder into the open box. 'Dickie? Is, is that a...' His voice trails off. 'You know, Peter, I like you a lot better when you give your mouth a rest, and, yes, Peter, this is a genuine Maslakovian sex slave, I've been using ether to keep her quiet.' Haswell gently lifts the unconscious young woman out of her confinement. Her wrists are held behind her by thick leather cuffs, a short chain connects them to the heavy silver ring that pierces both her inner and outer right labia. Shadforth stares transfixed. 'I had to do it, Peter.' 'Peter? Are you all right?' 'They will come for her, Dickie, they will come for you, too. You will be stripped of that precious Maslakovian citizenship. Dickie, why? You could fuck her all day, every day without kidnapping her! Have you lost your mind?' Haswell looks at his friend with the resigned air of an inbred family patriarch looking at his hideous mutant progeny. 'Peter, that is why I am here, nobody knows of this little nest of yours, do they? You always tell everyone that you've gone to the Cape, of all places. You will not understand until she awakes, but look now! This is what I meant, even unconscious she opens her legs if someone is near. She'll start to moisten soon.' Against his better judgement Shadforth peers at the hairless sex of the Slave, the weight of her arms on the piercing ring drags her lips open, exposing the pinkness within. Sure enough, after a few seconds glistening moisture becomes apparent, the muscles of her inner thighs work against Haswell's arm that holds her under the knees. One small drop forms, running down to her smooth anus and falling to the floor. 'I am going to put her to bed, Peter. We cannot really discuss this properly until then, now open the door, there's a good chap.' Haswell turns, carrying his precious cargo up the narrow stairs. 'They'll not take long to find you, Dickie,' shouts Shadforth to his retreating back, noticing that the first drop has quickly been joined by others,'All they'll have to do is follow the splashes.' Resigned he pours himself another drink and sits back down. It is probably time now to inform the more naive reader of certain basic facts of which they may be unaware. Namely that following certain unfortunate events in France during 1791, or thereabouts, libertinism fell very much out of favour, even among the degenerate English, who might have been expected to keep the fire burning. But, alas, it was not to be. In any event, a small country, Maslakovia, was created in the picturesque mountain countryside of Central-Eastern Europe, a place where libertines could come together and delight in each other's deviant perversions. Slaves were procured a capital city, Libertinas was built, and the libertine tradition saved. Of course, it is terribly exclusive, only 'citizens' are allowed to pass the border, citizenship is conferred according to a strict standard of sexual prowess and deviance. Maslakovia counts among its leading lights several heads-of-state, seven European monarchs, fourteen monarchs of other countries, a shah, an emperor, an empress, and eight highly placed members of the Roman Catholic church, all of whom are deeply committed to keeping the secret little country exactly that. It should, then, come as a surprise to learn that such a solidly libertine individual as Lord Haswell has kidnapped a slave he had total carte blanche to treat as he liked within the Maslakovian border, then there must be a logical, or at least, understandable reason why. Of course, there is a reason, not that Haswell himself fully realises it yet, and she will be waking soon. The sun rises quickly in Istanbul, throwing light full into the face of the World's only transcontinental city. The call to prayer for the Mohammedan faithful ricochets around the stone walls and squares of a thousand domed mosques. The golden fireball clears the horizon, backlighting the smoke from breakfast fires, steamships, factories and a million other sources, big and small, to create an ochre miasma over the whole ramshackle design. Tracking its arc higher across the city, the light of the sun pours through the barred windows of Shadforth's upper storey, casting shadows across one particular small bedroom, before alighting, as if drawn, on the face of the Slave. She wakes, her huge, heavy lidded eyes, blue as the summer sky, blink in unrecognition. Her naturally pouting lips open slightly to call out, but she thinks better of it and remains silent. She rolls to the side to put one small, pointed foot onto the floor. She stands, for all his kind mannerisms, Haswell has left her chained, she arches her back to reduce the chain's pulling on her sex. Her breasts, so very large and pneumatic respond to the slight morning chill, the thick piercing through each nipple shining in the sunlight. She turns her narrow waist to relieve the cramp of being kept chained in a box, with only brief periods of druggie respite. Those who see her at first assume that she is a doll, or sculpture, created by some demented individual with scant knowledge of proportional anatomy, so dramatic is the swell of her breasts, hips, and arse. She is, of course, nothing of the sort, merely possessing a convenient combination of hereditary attributes that, unfortunately, make it nigh impossible for any man, or woman, for that matter to see her without experiencing some kind of libidinous crisis. Safely tucked away in Maslakovia, where such behaviour is enthusiastically encouraged, the Slave could enjoy, and be enjoyed until all energies were spent, as it were. However, like an improper buggering at a Royal banquet, she has been released into the world, and things like that can only mean trouble. The Slave tiptoes to the window, not that she is trying to keep especially quiet, tiptoe is her natural gait, would that all women were likewise. The chain in her sex, her slave-sign, weighs heavy, she arches her back some more, the round perfection of her arse catching the sunlight perfectly, her belly, taught, flat and drawn back aches with a need she knows only too well. It has been a long time since her master, as she thought of Haswell, had allowed her to orgasm. The drug he gave her made sex, and all else for that matter, like a dream she could not be sure of. The scene outside is typically Istanbul, the creatures of the night have all but melted away, and the streets are now busy with activity and movement. Veiled women in silks tow small children past the houses, on the way to visit friends. The street hawkers and vendors shout their wares and services every four or five seconds, a profusion of riotous noise, colour and business has taken over the city. Despite the appalling financial state of the Ottoman Empire, the suspension of the parliament, and the incessant complaining of the idle, Istanbul buzzes with trade, gossip and life. The Slaves eyes open wide as she takes all this in. Maslakovia has quiet, refined streets. There are occasional whipping posts to which slaves are periodically fixed, so that they can be beaten, fucked or abused in any variety of ways. Many male slaves have been regularly cock-whipped until unconscious, then revived and whipped again for passing out. However, the Slave's main concern with Maslakovian streets is that they are patently not the ones outside the window now. The sights, sounds, and smells are utterly alien to her, she steps back from the window into the waiting arms of Lord Haswell, who has been watching her for some time. She does not turn, but allows him to put his warm hands on her small shoulders, he caresses them, feeling the knots caused by her confinement in his luggage, he runs a finger down the deep groove of her spine until it reaches her waist, he holds her by the hips then runs a hand over her belly and up below her breasts. 'Master, where am I?' If Haswell notices the slight tremble in her soft voice, he does not acknowledge it. 'Do not worry, you are safe.' She relaxes slightly, he is her master, he has told her not to worry, and she trusts him. 'Let's take these chains off.' His fingers unbuckle the cuffs easily, she gasps as he allows them to fall, pulling suddenly on her piercing, he reaches down between her thighs, rubbing the knuckle of his thumb from her anus along the wetness of her sex, until he can unclip the chain and the apparatus falls to the floor. 'Turn around.' The Slave turns, her head lowered, but her eyes raised. 'My God, I had forgotten how beautiful you are.' Haswell lifts her chin, and looks into her eyes, feeling himself drowning in a sea of blue. His gaze drifts from the light, blonde curls settled on her shoulders, to her extraordinary breasts, pierced nipples sensitively erect, to a stomach and waist so slender he could span its circumference with both his hands and have them touch, to her smooth, perfect, pierced sex. Rendered hairless, like all Maslakovian slaves, by chemicals administered at a very young age. Down past thighs that never appear to close, and calves made shapely by years of wearing special slave heel-pointe shoes, to dainty, delicate feet, standing, as always, on her toes. He holds her close again, the smallness of her body against his makes him feel even more possessive and protecting. Her perfect slave's demeanour, so submissively arousing worries and excites him simultaneously. He hears her intake of breath as his erection presses against her through the heavy cloth of his Saville Row suit, her hands wanting to touch him, yet not daring to, she looks at him, her eyes full of submissive yearning. 'Please, Master, please.' He takes her small hand in his, her long fingers with almond-shaped nails tense as he brings them to the buttons of his trousers, he helps her to undo them. She runs her hands down into his waistband, forcing his trousers to fall, his erection springs free, his full, purpling head rubs against her belly. She holds him in both hands, his cock, large, purposeful, surrenders to her grip. He can feel the almost painful heat that her body is generating. He presses the heel of his hand against her lower belly, cupping her sex with his palm. He traps her outer lips between his fingers, squeezing them tightly together until he can feel the excited pulse of her racing heartbeat. She pushes her head back, innocent blue eyes wide with pleasure, blonde curls like fire in the sunlight, he bends to kiss her full, open lips, throwing his arms around her to almost crush the very breath from her. He caresses the full length of her back, down across her magnificent buttocks, and lifts her clear off the ground. She opens her thighs, spreading her legs around his body, her sex opened wide and gaping for him, she feels the head of his cock rub against her piercing and she impales herself on it, feeling its hydraulic stiffness fill her warm, wet body. Her muscles tighten around him, she feels his blood now, coursing and pumping against his imprisoning flesh. The soft walls of her sex greedily suck at him, pulling him deeper and deeper into her body until his cock is buried completely inside her. The running wetness of her arousal flows freely over his balls, and down the arc of his muscular soldier's thighs, he allows her the pleasure of using her inner muscles on his, by now, painfully erect penis before carrying her to the bed and gently laying her on her back. He withdraws out of her, almost to the tip, before plunging himself back into her soft, wanton, flesh. Gradually he increases to a slow, concentrated, deeply penetrating rhythm. She stretches her body out before him, back arched to force her sex hard against him, so supple, so well muscled, her body begins to glow with the energy and heat of her boiling circulation. Again, as has happened since the first time they met, Haswell becomes utterly consumed by this submissive, insatiable angel, if he were less of a bastard, less of a libertine, less of a man, he might have had the intelligence to be afraid, as it is, he knows only desire. The Slave feels his swelling, thrusting, pumping urgency and matches her motion to his, her arms thrown above her head, searching for the bonds that have tied her to so many beds in her short life in an instinctive reaction, hands clawing and twisting at the tangled bedclothes as her body is filled and emptied over and over again. She feels him tense, the first wave of orgasm crashes against her speeding heart, but he withdraws completely from her grasping, now terribly empty, sex. He uses the head of his cock to force more of her sweet lubrication from her vagina to her anus, realising his intent, and feeling the swell of her pleasure increase again, she strains to open this small Rosebud of Venus. She raises her hips to allow him easy entry, moaning with anticipation. He carefully aligns the fat, and now very purple, bulb of his cock against her hole before gently, but firmly pushing his way inside. She feels as if she has been penetrated to her very core, his large, hard, swollen, beating cock forces its way through her narrow anal passage, giving her deeper, harder waves of pleasure, but making the void in her sex seem even emptier. His cock beats more and more urgently, she knows that he is close, but that he is trying to delay his ejaculation for her. The Slave gasps, both in pleasure and surprise that her master would do this for her, and this feeling becomes her last rational thought as the waves of orgasm crash, uncontrolled, against her defenceless body. The Slave's orgasm releases Haswell's own, his unwillingness to come before her showing a gentlemanly streak never before apparent in him, and certainly surprising to any woman, girl, boy, or domestic pet that has had the misfortune to cross his path so far. The pressures, internal, external and emotional bearing down on his heart and his cock would be enough to permanently injure any lesser man. Unable to resist any longer, his cock swells even fatter and the Slave feels his hot, thick ejaculate fill her, pressurised by his still thrusting cock, such a wonderful feeling of fullness overtakes her that she comes again, less frantic this time, but with a familiar sensation between coming and pissing as her own slightly oily emission squirts out onto Haswell's retreating cock. 'My God,' he gasps, 'my God, my God, my God.' Repeating this incantation, Haswell tries to restore the wild arrhythmia that seems to be overtaking his heart, he looks at the Slave, still lying on the bed, naturally stretched out, lubrication, his own semen, and her curious ejaculate leaking from her body. She breathes deeply and sits upright. 'Master, thank you.' Haswell, waiting for some form of circulatory normalness to be established, realises that she is looking at him without any sign of the fatigue generally associated with such recent exertions. In fact, she seems to be pouting again. 'Master, please. Would you like to whip me? It has been such a long time since my arse was properly reddened, or my breasts, or my pussy. How am I to be a good slave without discipline?' Again Haswell's character denies him the sight of the wood for the trees, or its possible that the sound of his blood roaring through his veins like a runaway locomotive has rendered him temporarily deaf. In any case, he ignores the plea in her voice as he shakily regains strength and trousers, clumsily straightening both while stumbling from the room. By the time he reaches the ground floor study, a certain calmness has been achieved. Haswell sits heavily in the nearest armchair, reaches for the nearest bottle of alcohol, and pours himself a stiff measure, drinking it down without any sensation of taste at all. The ornate wall clock, Ottoman, with Arabic characters, ticks away lazily in what is now the early afternoon sunshine. Haswell's exhaustion is so complete that he has no idea that the Earl is staring at him intently from across the room. He does not hear Shadforth rise, pick up the twisted leather and wood riding crop from its place by the door, go upstairs to the Slave's room, and quietly slip inside. Haswell falls into a restless sleep, punctuated by dreams of such animal ferocity that he finds himself almost unwilling to wake up. When he does, he discovers that noontime has fallen into late afternoon, and that Shadforth is exhibiting signs of undergoing some terrible endurance race of the kind normally undertaken by escaped convicts across moorlands infested with police dogs. 'Peter, you idiot! What have you done?' Haswell shakes his friend awake, opening his eyes with his thumbs. 'Dickie, is that you?' Shadforth lurches to his feet, arms, legs and eyes all strangely akimbo. 'Dickie, what is she? I don't think there is an ounce of energy left in me, I went to see what you had done to her, and there she was, bright as a button, all eyes, and tits, and arse, and she wanted me to whip her. I thrashed her until I could hardly lift my arm, but I kept going until she came, then I fucked her until she came again, then she sucked every last drop out of me, but I couldn't leave until I had tongued her to orgasm again. Then she just looked at me with those unbelievable eyes...She knew she could finish me, Dickie...Finish me completely.' Haswell looks at the exhausted delirium in Shadforth's eyes. 'You see, Peter? How could I leave her there? What was it you said last night, I could have fucked her all day, every day? I did, Peter, and she still had the best of me!' Haswell takes on the concentrated demeanour of someone who has either found religion or lost an important limb. 'Such a waste to leave her there, Maslakovia will not last for long in this new air age, Peter. She should be in the wider world, our world, and we shall be the richer for it.' Shadforth sits down again, defeated. 'She will kill you, Dickie, you'll pour yourself into that open little body and you will vanish, and then do you know what will happen?' He takes a deep breath. 'She will smile submissively at some other poor unfortunate and move on. Dickie, she's a cat, and don't allow yourself the conceit of believing that we're mice. To her, we're just cream!' 'I know, Peter, I know.' Haswell turns to the bookcase, disturbing the layer of dust that clings to the leather-bound volumes The Divine Comedy, Justine, The Libertine's Guide to Venereal Afflictions, Sappho's Big Day Out. He smiles to remember the day when as a boy of eight, his father had introduced him to the pleasures of administering corporal punishment, using Lucy the chambermaid as a not too unwilling practice partner. Shadforth sighs, 'I should have stuck to sacrificing to Venus. True, I'd have a right hand like an eagle's claw and the eyesight of a myopic badger by now, but that, at least, would be the extent of the damage. I'd take her from you, Dickie, if I wasn't such a coward, and let her have me. I want her again, balls emptier than a Palmerston promise, but, Dickie, I want her!' As the two men try to pull themselves back together, the Slave, alone in the small bedroom tries to piece together the recent events that have brought her here. Sticky with the drying semen from both men, and also from her own juices, she searches for a washbowl. Finding none, she cautiously tries the handle of the door. It opens easily inwards to reveal the dark, shadowy corridor beyond. Again, her natural posture allows her to tiptoe silently along the polished wooden floor. She hears the murmur of the conversation in the study below, a warm feeling comes over her as she recognises her master's voice, he had not whipped her, but he had sent his friend to satisfy her need. She has never experienced such kind consideration before. She was provided to him as a night-slave in one of the premier hotels in Libertinas, he discovered her, like so many others, chained standing to the bedpost. At first, it seemed that he had no special desire for her, he had flicked the rawhide whip at her without particular flourish, and it seemed that he was to be another disappointment. A libertine without libido, occupied only with the opium pipe and the absinthe bottle. She was fresh from the Discipliniary, the slave-school, she had been trained in all aspects of the male response, the female response, and the deliciously fine boundry-line between pleasure and pain. She cannot remember anything before the school, many slaves are sold as babies, or kidnapped, or are even born to slave mothers who have not been 'fixed', as the Maslakovians like to say. She can not remember any family, or any time when she had been permitted clothing, or privacy, or when any master has deliberately not come before her own orgasm. A cool draught across the new, red stripes so recently, and enthusiastically put across her buttocks by Earl Shadforth brings her out of her reverie. One of the doorways in the corridor has come ajar, she can see blue and white Iznik tiling just beyond, and a glint of brass piping. She pushes the door open to the small bathroom, there is a small enamel bath with a hot water shower attachment, a washstand complete with a large mirror, and a Turkish style toilet sunk into the floor. Uneasily she enters, the tiles cool on the balls of her feet. She looks at her own reflection in the mirror, trying to see why her master would risk everything to kidnap her. It began when Haswell noticed her out-of-proportionness, he squinted, poked, caressed, and finally, to her great relief, fucked her until he was quite unable to stand. It was then that he noticed what had been painfully apparent to many frustrated slaves, desperate for a good, honest fucking, frigging, or flogging that Maslakovia was becoming a place infested by lotus-eaters. He asked her history while pulling on her pierced nipples to an exquisite degree. He then had her flogged with the strap, to get area, and the quirt, for detailing. When he told her that he was to leave at the end of the following month, the Slave cried herself to sleep in the city dormitory, the overseer there felt so sorry for her that they let her be put in the Burton Square stocks the next day. With her anus and vagina so blatantly displayed, and used, and whipped, she expected to regain a little of her old enthusiasm, but she just felt lonely. Until she felt his familiar hard, stinging slap full on her right buttock. She almost came right away, but she waited for whatever he wanted to do to her. It seemed to take forever, he spanked her upraised arse until she could feel it glowing red and swollen in the fading light, he applied his belt on her inner thighs, and twice directly onto her throbbing sex, she was sure that if he had used the buckled end she would have not been able to control herself and longer. He hooked a finger through her piercing ring and pulled it back sharply, stretching the holed labia back, far more than she had previously thought possible. Then he pushed the thumb of the same hand into her anus, rocking her pleasure centres as he pulled on the ring and pushed his thumb deeper, then releasing the tension and almost withdrawing from her. After a very short time her anal muscle clamped tight around his invading digit as she came with a flood of released frustration. He released her from the stocks and allowed her to suck his cock right there, in the centre of the city, a sure sign that he considered her to be his special slave. He tortured her most deliciously for the next few days, orgasm followed orgasm as he investigated and stimulated every fibre of her being with chain, whip, and rope, often exhausting himself to the point of collapse in the process. Then, one day, he had his large seachest brought to his room. She thought he was leaving and wept without shame, but with some hope for a last fond spanking. She did not see him pour a little ether onto his handkerchief and remembers little of the resulting journey, only dimly being aware of a sleeper carriage on a train, and a first-class cabin on a steamship. Of course, the box is somewhat clearer in her mind, as she occasionally regained consciousness, surrounded by suffocating darkness, legs tucked up and the constant pulling pain of the chain connecting her sex to her wrists. She thought it was a new torture and tried to enjoy it, but the agonising cramps made it all but impossible to keep quiet, and when she did cry out her master would open the box somewhere private, massage the knots out of her aching muscles, then administer the handkerchief again. Her reflection could offer no more than this, she stepped over to the bath and opened the shower faucet, stepping into the hot stream she takes the bar of Pear's soap and begins to wash. Not wanting to hurry, and half hoping to be caught, the Slave begins at her shoulders, delighting in watching the soap run in white rivers down across her chest, she knows that she is bigger, and firmer than most other women, and was taught to enjoy her body as much as possible, in order to best give pleasure to others. Her nipples rise again, the thick silver rings lifting slightly. She soaps her breasts, each full orb, yielding, yet resistant sways slightly as her hands travel down across the taut flatness of her belly, the deep pit of her umbilicus acting as a small soapy well, overflowing South. The water carries her hands naturally between her legs, not wanting to spoil the moment, she washes her inner thighs, slowly moving closer and closer to the smooth, flawless folds of her sex. Gently, she allows her fingers to merely graze the surface, even this lightest of touches is enough to excite her. Working the soap across her vaginal perfection, she feels an electric charge as a finger finds her clitoris unhooded and sensitised. She works the soap into a lather before pressing the smooth slippery bar between her inner lips and over the entrance to her sweet interior. Reaching behind her back with her other hand, she takes the soap over the velvet circle of skin surrounding her anus, dragging it up between her truly, perfectly, global buttocks. Stomach, hips, sex, and arse, all forming the most pleasing set of deeply dangerous curves ever seen, more quickly now she rubs and pulls at her clitoris, the little erection responds by sending jolt after jolt of charged feeling up through her body. The hot shower seems cold on her skin as she reaches another peak of ecstasy. She repeats Haswell's methodical treatment, reaching behind to pull on the piercing ring and pushing her thumb into her anus, arching her back as far as she can, the pulling, pushing, rubbing reaches its inevitable soapy, wet climax. The Slave falls to her knees with the first wave of her orgasm and twitches her body violently with the ones that succeed it. Eventually she lifts her head, golden hair plastered down, the sound of the water splashing on the enamel of the bathtub. Shakily, she gets to her feet, the soap almost finished she washes herself again, finishing with her pointed little feet. Finding a large towel, she dries herself quickly, and, not knowing what else to do, and not wanting to be alone, she tiptoes downstairs to the study to find her master. The slave does not hear the frantic wheezing coming from the door opposite the bathroom. Naturally, not actually having a sense of privacy, it never occurred to her to close the door behind her when she went in. Doors are for masters' use only. The wheezing comes as a result of some truly heroic masturbation on the part of Arthur, Earl Shadforth's servant. After shooting his bolt almost immediately upon seeing this submissive perfection performing extremely lewd acts in the shower, he found that her effect was so profound that his underused manhood was hard again within moments, as opposed to the customary days. Not wanting to waste this somewhat tawdry bonanza, he pounded away on that organ again and again. Of course, Arthur, being a product of a distinctly lower middle class upbringing, found that such prolonged physical activity leads to severe consequences. The wheezing so conveniently unheard by the object of its cause was the onset of a middling attack of respiratory failure, which will leave its victim face down in a pool of his own emissions, and praying fervently for a safe return to his family home in Bromley. As Arthur sinks slowly to the floor, to twitch and shake in a most undignified, febrile manner, the Slave cautiously pushes the already open door of the study wide. Both the Lord and the Earl turn to see her, framed in the doorway, the tobacco brightness of the Istanbul sunset colouring her smooth, tight skin and throwing all of her charmed curves into delightful relief, the silver through her nipples shines more strongly against aureoles dark pink and brown. It seems as if the forceful forward projection of her breasts has passed beyond any mere limitation of three-dimensional existence, moving with unimpeded progress into planes of reality unimagined by any man or science. She enters the room, keenly aware of the typically male response she is causing in both libertines. They watch, dumbfounded as her tiptoed gait works the muscles in her calves and thighs, pushes her hips back and her chest forward. She holds her arms bent slightly, away from her body, unused to the lack of cuff, or strap, or chain. The piercing through her sex rubs against her thigh, pulling her lips open slightly, and giving her a gentle feeling of constant, intimate contact. Haswell feels the pull in his trousers, and also a tightness in his chest as the Slave walks towards him, which leaves Shadforth hypnotised by the flowing perpetual motion of her arse. Two interacting soft, yet firm planets of such erotic, mystic perfection, colliding constantly. Her hips are pushed so far back that when these planets disengage, he is offered a view directly exposing her heavenly entrances, already glittering with the sign of her own excitement. 'Dickie,' Shadforth squeaks before clearing his throat, 'Dickie, what are we going to do with her?' Haswell taps a fingernail against the Slave's piercing, sending a small shudder through her body, the ring rocking back and forth, dragging her folded lips open on every heavy swing. 'Put her on the table, Dickie, I have a little wager for you.' Shadforth's eyes are alight with an intensity only usually seen at the track, or in the dock, 'There is a hook for a light fitment in the ceiling above, I'll fish out my old bondage equipment.' He quickly darts from the room, returning moments later with a length of stout chain and a pair of Metropolitan Police issue bolted handcuffs. The Slave climbs up onto the polished mahogany of the table, Shadforth climbs up beside her to cuff her wrists and to attach the chain from cuffs to ceiling. 'Kneel.' He tells her, with her arms raised fully, the chain is just long enough to reach. 'Lift her up a little, Dickie, she should not be able to rest her knees on the table, nor be high enough to put her feet flat.' Haswell lifts the Slave, feeling the warmth of her naked arousal even now. Shadforth adjusts the chain until it the Slave's knees are three to four inches above the table. In this position, she must either hang painfully from the ceiling, or support herself with the muscles in her thighs and shoulders. She shifts her weight between these two alternatives, straining, sweating and shaking with the effort. Shadforth places a long champagne flute between her legs, tall enough for the piercing ring to rest just below its rim. 'If the glass falls,' he tells her, 'you will hang untouched for three days.' The Slave fully understands the awful consequence of these words, but finds herself warming further just by the thought of being punished. 'Now; Dickie,' says Shadforth as both men retreat to gaze upon this vision of stressed perfection, 'I'll wager five pounds that she produces three inches of lubrication within the hour.' He twists the end of his moustache in time-honoured rascally fashion. 'I'll say two,' answers Haswell, peering intently at the sheen of moistness already formed on the Slave's inner sex. The libertines drag a chair each over to the table to watch the Slave's hanging sufferings. She can see their eyes absorbing every detail of her denuded body, the inner structure of her ribs thrown tight against the skin by the extremity of her posture, she tenses the muscles of her inner thighs and is rewarded by a sharp intake of breath from her master. Her body, though pained by her bondage becomes flushed with the heat from the blood coursing fast and burning in her breasts, belly, and sex. She feels the silver ring knock against the glass as her lips fill with red longing. A fiery drop of fluid follows its own slick trail through the secret ways of her darkened purse before escaping along the outer curve of the ring. The rapt, and by now frankly pop-eyed, libertines watch with breathless con-centration as this first sweet drop hangs for a moment before falling with silent gravity into the bottom of the glass. 'Thirty seconds.' Shadforth notes, consulting his pocketwatch. The Slave tries to suppress her arousal, knowing that her master has the lower estimate, but each suppression leads to renewed and more feverish feelings rushing through her young body. The libertines, also, are not unaffected, she is quite aware of the bulging evidence within their trousers. Haswell, in particular, is having difficulty, fondling himself under the guise of straightening his shirt or waistcoat. This, again, sends the Slave yet greater feelings of arousal, her aching muscles burn with their efforts, and the delicious feeling of cool openness around her anus and closedness around her sex make her feel deliciously uncomfortable. The juice now dripping more quickly, each drop a short interval from the last, slowly filling the elegant ringing glass. 'My God, Dickie, I don't know how much more I can take.' 'Steady, old chap.' Haswell's voice has a peculiarly strangled note to it, he is committing the primary etiquette faux pas by visibly sweating, but cannot take his eyes from the Slave. She is open, eyes, mouth, anus, vagina, all agape and unashamedly needy. Haswell hears a throaty noise, turns and sees the Earl sitting shirt un-buttoned, trousers removed, hands not daring to even approach his fully erect, pulsating manhood that points ceilingward with undisguised urgency. Briefly, Haswell supposes his friend's action to be an attempt to win the wager, but upon seeing the expression of utter supplication and surrender on Shadforth's face, and also a fit of wholly sexual straining by the overheating Slave in her bonds, Haswell practically flings himself out of his garments to stand trimly muscular and naked, trying his damnedest not to touch the hypersensitive tip of his own ridiculously erect penis. 'M...Master.' The sight of the two libertines so obviously close and in need of relief, increases the pressure in the belly of the Slave, her nipples, now painfully erect, hold their own heavy silver clear of the tight skin of her firm breasts. She tries not to arch her bach too far, but her vagina and anus are desperately empty, the sweet sense of restriction and denial overcomes the burning ache in her shoulders and thighs as she feels the first small clench of ultimate pleasure. Cruelly unable to move her sex from its precarious position over the glass, the Slave, freely sweating from the horrid variety of pressures and strains placed upon her vulnerably naked body and soul, gulps at the charged atmosphere with both mouth and anus. Trying to find some succour, both orifices open and close to a sexual rhythm all their own, both painted vividly red by the charged circulation of her perfectly submissive, perfectly aroused, perfection. 'The glass, Peter, the glass!' Haswell's voice sounds strained, even to him. 'I can't look, Dickie, my eyes are all out of focus.' 'Peter, you win,' Haswell laughs. 'How long has it been?' 'Not yet half an hour, but the glass as almost half full.' 'She hasn't pissed herself has she? I love it when that happens.' 'No, Peter, it's all lubrication.' The Slave can hear the note of astonished pride in her master's voice, her heart quickens as he comes closer to look at the glass beneath her dripping sex. She holds her breath as he comes close enough to feel the heat pouring from the very pores of her skin. He puts a hand on one sweat-slicked hip, moving his hand down between her tensed, red-striped buttocks to find her anus desperately opening and closing in an attempt to swallow his teasing fingers. 'No moving.' Haswell's voice is firm. 'Yes, master.' She shakes with anticipation as he gently puts one, two, three fingers into her rectum, working them softly around and around inside her welcoming heat. She throws her head back, overwhelmingly conscious of the glass beneath her, her lower body wholly still, but consumed by inner turmoil as she feels his fingers go yet deeper. She sucks at them with her anal muscle, trying to take them further inside, feeling them rubbing at the wall to her empty sex. Sweat pouring out of her she tries to stave off the impending orgasmic spasms, but this is the time that the Earl recovers his vision sufficiently enough to join the fray. Pressing the heel of his hand hard against her taut belly and abdomen, he pulls the piercing through her right nipple painfully up. The dull ache of one, and the sharp pain of the other combine to push open the gates of her orgasmic flood. Haswell, feeling her whole inner body tighten suddenly, throws his free arm across her hips to hold her still and to ensure that her thick, oily ejaculate is caught unspilled in the glass below. The orgasm subsides, they remove the cuffs from her wrists and gently lay her suddenly limp form on the table. Haswell lifts the champagne glass, swirls the strange semi-opaque liquid around, eyeing it with the practiced eye of a French vineyard owner, before lifting it to his nose and inhaling deeply. 'Vintage stuff.' He says, and drinks half the glass, passing the remainder to Shadforth, who drains the remainder with a much less theatrical performance. 'We should bottle it, Dickie.' 'Later, Peter, my most immediate concern is obtaining some relief from this awful testicular pressure.' Neither man has noticed that the Slave has risen to kneel on her heels, hands on her lap, arms pushing her breasts forward slightly. They have drunk her juices and she can see that both men have powerful erections that are in need of relief. 'Let me help you, master.' With the sunset streaming through the lead windows of the study, the Slave takes both men in hand, applying exactly the right amount of pressure to each purple-headed, libertine cock. The Lord and the Earl simultaneously feel the utter delight of the Slave's sensitive hands, constricting and pulling and releasing in a symphony of expert furtling. She feels the pulsing, swollen veins, livid under the thin sheaths of skin, and the oozing release of pre-ejaculate. As one they experience the aching jolt of restrictive pressure before the Slave's controlling hands squeeze, then pull each to his own eruptive climax. White gobbets and sticky aftertrails arcing delicately through the air onto the Slaves thrusting, upraised breasts. She suck them both clean, letting her tongue offer soft caresses mixed with an occasional deliberate scrape of teeth until both Haswell and Shadforth feel strangely empty, yet refilled, their erections hardly faded. In fact, each libertine feels a familiar stirring in the base of his penis, as if each recently emptied cock will, at any instant, spring again to attention, if only she will continue her manipulations. The two men, both in the prime of life, both an irredeemably proud black stain on the good name of his family, scourge of man, woman, and beast, both of them now fearfully anticipating that first heart attack or brain embolism. Fortunately, a loud hissing, clanking and general uproar outside announcing the arrival of a much grander steam-carriage than the one in which Haswell arrived interrupts these maudlin thoughts. Hastily redressing, and shooing the slave upstairs, the libertines adopt Gilbert and Sullivan attitudes of upper-class repose, in order to best greet this new, and undoubtedly influential visitor. The loud rapping on the door is met with a lack of response devastating in its absence. It is quickly followed by a more insistent rap, and something that sounds suspiciously like a kick as well. 'Arthur!' Shouts the Earl, 'Get the bloody door, will you?' 'Arthur!' 'Arthur, you little shit! What do you think I pay you for?' However, as may be remembered by those readers not skipping forward to the bits wholly concerned with descriptions of the heroine's inner biology, the hapless servant is non too able to execute his duties, and the angry Earl is left in the unenviable position of having to open his own front door. Standing outside is a small, trimly moustached, tarbooshed Turk, dapper in a grey suit of European cut, high collared white shirt, and dark patterned cravat. A cloud of white vapour surrounds him, billowing past the ankles of the nonplussed Earl into the house. Behind him there waits a magnificently overdone steam-carriage in glorious green enamel paint and golden ornamentation, the liveried driver sits high at his steering gear at the front of the carriage, the equally emaculate stoker leaning on his shovel at the rear. On the door, the flowing Arabic cypher of Abd-Ul-Hamit II, Padishah of the Ottoman Empire. The flunkey, for that is what he is, hands Shadforth an envelope of silken paper, richly gilded and embossed in both Ottoman and Western script. Kasim Pasha The flunkey imperceptibly bows his head, turns on his heel, and smartly climbs back aboard the carriage. Already at full steam it moves away with a blast of hot vapour as its driver releases its formidably huge wood and iron brakes. Ashen-faced, Shadforth closes the door and opens the envelope, hardly able to believe that the paper he is holding has come from very, very high up in the Ottoman food chain. 'Peter, what is it?' Asks Haswell, coming from the study. 'You'll never believe it...I...I've been invited to the Pasha's palace, that contraption will return on the hour...Do you know what this means?' 'You're going to die in an explosion?' 'Kasim Pasha is adviser to the Sultan, he has the whole of the Ottoman Empire at his beck-and-call, he never, never invites anybody for a chit-chat, Dickie, this is the chance of a lifetime for me!' 'Well you had better get yourself dressed then, hadn't you?' 'I don't want to go by myself, what if I do something embarrassing?' 'That, Peter, is a foregone conclusion.' 'Come with me, Dickie, he'll love you, really, please.' 'Peter, I'm not here, remember? Incognito.' 'Don't worry, the Pasha is the soul of discretion, I'm sure we will be the only ones there, and he'll send a carriage, nobody will ever know.' 'And her, do you suppose I'm just going to leave her here?' 'Bring her as well. I promise you, Dickie, you'll not regret it, everything these people do is motivated by pleasure and greed, they're just like you and I, except that Kasim Pasha already has all he could ever want. Come on, Dickie, you want to show her off, don't you "she should be in the wider world", well, start at the top, man.' Far from convinced, Haswell allows his friend's enthusiasm to win him over, the two gentlemen retire to dress for the evening, Shadforth in standard black tie, Haswell in the dress uniform of an Indian Army Colonel of cavalry, a uniform, incidentally, to which he has no right to whatsoever, his current location being the closest he had ever travelled to the British Empire's prime possession. About the Slave, they are undecided, she stands shiny and clean again after washing away the dried semen from her breasts. Eyes, lips, skin all aglow with vitality and health, even the lifeless silver punched through her flesh seems to shine with vitamin cheer. 'Should we dress her?' 'With what, Dickie? I'm not in the habit of keeping a supply of women's clothing about the place.' 'Really, Peter. Does that mean that all of the stories about you are untrue?' 'Shut up, Dickie.' He turns to the Slave. 'Have you ever actually worn any clothing?' 'Only high-heeled shoes, masks, and leather harnesses.' 'She's setting me off again, Dickie.' Haswell, ever the practical thinker, covers the slave with one of his own greatcoats, it covers her like a blanket. 'Master, must I?' 'Only in the street, the rest of the time you can be in your natural state.' And so, as promised, the steam-carriage arrives and the bizarre trio of foreigners climb aboard. Shadforth, overeager as a sadist at a convent school, Haswell, stiff as a board in his undeserved military finery, and the Slave, profoundly disquieted by the feeling of fabric against her skin, uncomfortably unable to display her body to the world. Overall, she considers it to better to be naked and bound in chains than to be cocooned in cotton and silk that clings to the body like a prison that must be forever carried on the back of the prisoner. The driver ensures that his charges are secure before engaging the forward gear and releasing the brakes, the carriage moving quickly away. The Slave shifts slightly on the red and gold embroidered seat to look at the city passing by. The greatcoat feels uncomfortable around her, surreptitiously she allows it to fall from her shoulders. Haswell, noticing, says nothing but smiles inwardly as he watches her stare outside, the childish curiosity in her eyes as she beholds one of the world finest cities for the first time. How different to her experiences in Maslakovia, this is the world in all its chaotic glory. He lets his eye drift casually down past her neck to her still, to him, unbelievable breasts. Swaying and jiggling in the underlit streets, nipples dark against her skin, the silver rings catching any glint from moon or window. Her belly still arced down as she sits naturally upright, back curved from hip to shoulder, she turns away slightly and he sees the dark shadow marking the curve of her spine down to an arse so full and muscular it almost seems carved. As always, her knees are parted, he finds himself contemplating how it must have felt when she was first pierced, how old was she when the heavy ring was first put through her delicious flesh? He believes her to be eighteen at present, certainly no more than twenty, so submissive, and so innocent of the world. He finds himself wondering if he could ever trust himself enough to acknowledge a most distastefully chivalrous feeling she inspires in his libertine heart. They travel down to the fast-flowing Bosphoros, the commercial steamships glide silently past, heading up towards the Black Sea, or down to the Aegean, shadowed by the airships of the Ottoman imperial navy. The carriage's heavy weight and strong springing ease even the worst of the country roads to a mild jostling as they continue their imperious journey away from Istanbul's familiar sights and smells, especially smells, stopping just beyond the village of Tarabya, at the elaborate, gold painted wrought iron gates of the Pasha's magnificent residence, windows blazing with hydraulic-electric brilliance. End of Part One