Andrew Roller Presents
C O M I C  U P D A T E
FREE!    Internet Edition    May 11, 1995

R E V I E W S
conducted by h0ly joe

Board of Superheros 1, 50¢.  Minicomic, 8 pgs.  Matt Feazell, 3867 
Bristow, Detroit MI 48212.
         I first was introduced to Matt Feazell back in the '80's, as I 
trudged down a windblown street.  I saw a minicomic lying in the 
gutter.  At first I thought it was just another one of Roller's pubs, as I 
am always seeing those in the gutter (where they belong!)...or jammed 
into toilets in public restrooms...or sometimes I'll come across one of 
Roller's pubs in the little girl's lavatory at the school where I work as 
a janitor.  (Don't ask me how it got in there.)  
         Anyway, it turns out this particular pub was one of those rare 
gems put out by Matt Feazell.  Unlike one of Roller's pubs, this one had 
been carefully preserved in a hermetically sealed plastic bag, complete 
with acid-free backer board.  Obviously, some unfortunate collector had 
lost part of his prized collection.  I picked the zine up.  I thought about 
advertising it in the lost and found section of our local paper, but lust 
and greed quickly possessed my mind!  I tore the comic out of its 
plastic bag and quickly devoured its contents.  Then I took it to the 
bank, where I was able to exchange it for a crisp $100.00 bill!  I spent 
the night at the Holiday Inn, masturbating over the Playboy channel.  Ah, 
life! 
         Board of Superheros is yet another of Matt's beautifully rendered 
minicomics.  He's always been the best mini-maker of the genre.  In the 
mid-80's his books had a clean but punk rock "sketchpad" feel to them.  
Then, in the late 80's, as he picked up work selling stickmen to the 
mainstream press, his work became downright beautiful.  The beauty 
remains.
         Board's story is a fairly clever "corporate politics" tale.  
Boardman goes on sabbatical and leaves Stickboy in charge, who quickly 
mires his superhero employees in mindless paperwork.  With regard to 
the final panel, I would have written "No Smoking Breaks," instead of 
"No Smoking On Breaks."  I don't understand why Mr. Stickboy would 
want to prohibit smoking on breaks.  However, prohibiting smoking 
breaks seems an excellent idea, since that is when his employees spoke 
unkindly of him. 

Comic Update 140, 141, 55¢ each.  Minicomic, 8 pages.  Frank G. Lloyd 
Jr., P.O. Box 486, Richwood, W.V. 26261-0486.  [The current issue of 
Comic Update is number 178.  It is available from Jim Corrigan, P.O. Box 
3663, Phenix City AL 36868.  It is free for a SASE.]
         Comic Update is the oldest living small press reviewzine.  Begun in 
August 1986 by the immortal Andrew Roller, Update has struggled 
through various publishers over the years and, amazingly, has been 
published on a rigorously consistent basis.  These are statements that can 
be made of no other zine in the comics small press.  Yet, for all its 
fortitude, Update has continually been subscribed to by less people than 
almost any other reviewzine.  It's probably had more publishers in its 
lifetime than subscribers.
         This is not to say that Update has passed unnoticed through the 
comics world.  Nearly everyone in small press has written at least one 
nasty letter to Update (all published, with spelling errors pointed out by 
Roller's remorseless sic).  Both the mighty and the unknown have been 
excoriated in Update's pages.  Update was even investigated in a face-
to-face confrontation by the F.B.I.
         The Update tradition of potent, even toxic commentary on the small 
press continues in this latest pair of issues.  Lynn Hansen takes Andrew 
Roller's Naughty Naked Dreamgirls #11 to task for "not set[ting] a good 
example for younger readers...who may practice sex indiscriminately...and 
so get AIDS."  Lloyd delivers a short but devastatingly humorous editorial 
against Comics F/X, and even manages to liken Ian Shires to Jeffrey 
Dahlmer.  
         Dockery provides insight to the life and recent death of Freddy 
Mercury as a part of his regular "Like a Monkey on My Back" column in 
Update.  Whether you knew or cared about this singer, Dockery's writing 
(particularly in this installment of his column) struck me as absolutely 
fascinating.  Mike Taylor is present with his prickly review column in 
Update #140.  Taylor is an excellent addition to the Update team, still a 
relative newcomer, having been with this zine for only about 35 issues.  
The mainstay of Update, of course, is Lynn Hansen, with his educated, 
well-rounded reviews of both small press and independent comics.  I 
would suggest to Brooks, Dockery, Roller, and whoever else is involved in 
Fugitive Factsheet that they get Hansen on their team.  His prescient 
reviews of independent comics are just what Fugitive Factsheet needs to 
get into mainstream comics stores.  But then, I'm just a newcomer.  For a 
cup of coffee I'll review anything, even a comic by William Dockery.

Green Ringlets, 50¢.  Minicomic, eight pages.  William Dockery, P.O. Box 
3663, Phenix City, AL 36868.
         A chapbook, from whence the first poem provides the title.  Each 
book apparently comes with a free coffee stain.  (Mine did, anyway.)  
         Care for some disjointed images, rendered with varying degrees of 
proficiency, complete with a bizarre, Egyptian pharaoh cover?  This is the 
book for you.  There's a poem about the south and several about females.  I 
could write this thing up really good, but I'm full.  I had to feed the 
hamburger Dockery threw over the bridge to me to a cat.  It was lukewarm, 
anyway.  If I'm to work for food, Dockery, it has to be hot.  Anyway, the 
onion rings were good.  For those I'll quoth several of his better lines:

"Answers like seeds being dispersed into
"the breeze...
"...We stood in the marsh of reeds...
"...The Science Ladies
"wandering inside my soul (pg. 5)."

There ya go.  Thank God Wilson quit publishing.

felt, 50¢ postpaid.  Minicomic, eight pages.  William Dockery, P.O. Box 
3663, Phenix City, AL 36868.
         On the back cover of this tome is written the words, "Second 
Printing."  I was going to joke that with Dockery, this means my copy is 
not only the second printing but the second copy.  However, this damn 
thing is actually very well written.  Maybe he did actually print more 
than one copy in the first printing, and sold out!  
         felt begins poorly, but picks up at the top of page four.  Then things 
really get going at the bottom of page four, and the lines roll on through 
thunderous poetic crescendoes right to the end.  There are amazing images 
here; Tatumville park, the memory of Tracy, the father who's "a grey cat," 
even a lake of disappearing paths.
         I highly recommend this chapbook on two counts, as a stunning book 
of poems and as a sample of the best the comics small press has to offer.

C O M I C  U P D A T E  S T O R I E S
The Fading Universe
Part One
by Andrew Roller

Chapter One

         "Well, I think it's immoral," the fat boy said.
         "We did it anyway."
         "Yeah, Marv; but, I mean, think of all the innocent little children 
we killed.  And we didn't even get her."
         Marvin yawned.
         The steel girder jutted awkwardly out over the bice blue pool.  
The two boys sat perched atop it, fishing.
         "How could Perry have known the police chief's daughter would be 
playing hooky the day we blew up the elementary school?" Marvin asked 
defensively.
         "You ought to be our boss instead of Perry."
         Marvin shook his head.  "No, Flaherty.  Perry may have syphilis, but 
he's still the best strategist the tunnels have ever seen.  Do you think I 
could have mapped out that escape route we took after we blew up the 
school?"
         "People bomb buildings all the time."
         "Yeah, but they don't sit across the street on lawn chairs and 
watch," Marvin protested.  "They watch it on the evening news.  Or read 
about it in the paper."
         "I've got one," Flaherty announced, suddenly distracted from the 
discussion.  The chubby youth shifted to his knees and reeled in the line.  
"Feels pretty big."
         Suddenly the line snapped.  Flaherty let out a yelp as he toppled 
forward.  Marvin grabbed the back of his checked shirt and, straining, 
pulled the chubby boy upright.
         "Damn.  Fuck!  What a cheap line."  Flaherty glared at the water.
         Marvin reeled in his own line and cast it out farther.  He chewed 
absently on a wad of gum as he slowly drew the line back toward shore.
           It was hard to tell Marvin's age.  His face had been charred in a 
fire when he was 12.  He appeared to have a receding hair line; thin 
patches of hair were all that had ever grown back through the portion 
of his scalp that crowned his forehead.  Only the hairless, sculpted 
chest between the unzipped halves of his tattered mulatto vest hinted 
that he was a teen.
         "Hey!  She's gone!"
         Marvin and Flaherty glanced over their shoulders at Perry; a 
skinny boy running in frantic circles amidst the banks of equipment 
that stood in silent clumps, their glowing frames stretching to the 
ceiling that arched over the lake.
           "What I don't understand," Flaherty continued, "is how someone 
who dotes on little girls, like Perry, could bear to blow up an 
elementary school?  I mean, there must have been dozens of pretty 
little things who attended that institution."
         "I believe you're turning into a pedophile, Flaherty."
         "No I'm not, Marv.  But I am empathetic."
         A girl with luxurious shoulder-length hair and sunglasses stepped 
down out of a battered delivery truck.
         "I'm glad your little girlfriend ran away.  You shouldn't be fucking 
5-year-olds," the 15-year-old brunette snapped at Perry.
         "She's not 5, she's 8," Perry, his own eyes hidden behind a pair of 
shades, retorted.
         "If you ask me, she's run away for good," Marvin called out.
         Perry spun on his heels and stomped off between the racks.  His 
retreating figure carried with it an air of the ridiculous.  He wore the 
threadbare remains of what had once been a splendid suit; and he had 
run outside without first pulling on his trousers.  His bony legs were 
white and hairy, his black dress socks sagged beneath his ankles.
         Marvin laughed to himself.  The shadowed recesses of the metal 
cavern echoed as Perry took out his frustration on the stoic columns of 
machinery.  Auxiliary lines cut in automatically, bypassing the damaged 
circuits.  A few shafts flickered and died. 
          Countless generations had abused the corridors and their 
contents.  Doubtless many more would.  Perhaps they had a right to.  
After all, it was man himself who, ever increasing the number of his 
species, filled the universe with a latticework of metal tunnels; fenced 
in the stars and harnessed their power to feed the inhabitants of 
billions upon billions of tiny apartments all bursting with happy, 
productive people.  Or so the story went.  The one Marvin had read once 
in a book.  Today nobody really knew anything about life before the War.  
During the dim centuries since that cataclysm the ancients' only legacy 
had become the metal catacombs; glowing with the feeble 
incandescence of emergency power.
         "Ouch!  I cut my foot," Perry whined.  He hobbled out from behind a 
rack, his sock torn and dripping blood.
         Elsa glanced at him contemptuously, tossed back her hair, and 
strode over to the beam that held Marvin and Flaherty above the deep 
pond.
         "Let's get out of here," Elsa said to Marvin.  "If Perry's little 
squeeze finds her way back to the city she'll lead the cops straight to 
this lake."
         "Perry," Marvin called.  "Let's get going."
         "Can't," Perry said.  "Harrigan and Frankie are still off somewhere 
frigging."
         "Fags," Flaherty scoffed.
         "We'd better find 'em, then," Marvin said.  "I'd rather see those two 
die from AIDS than from the electric chair."
         Ten minutes later Frankie and Harrigan were led stumbling out of 
a nook between the racks.  Harrigan was clumsily divesting himself of 
the bondage gear which had restrained his six foot figure while Frankie, 
still playing, nipped the man's ankles with a riding crop.
         "You've got a semen stain on your pants," Elsa remarked to 
Harrigan.
         "Is that out of fashion, dearie?"  Harrigan asked Elsa.  His voice 
was deceptively deep for a homosexual.  But it matched his bald pate, 
puffy cheeks, and gap-toothed smile.  Harrigan was always smiling, in a 
stupid sort of way, his eyes squinting behind his smeared, circular, 
gold-rimmed spectacles.
         Marvin grinned at Harrigan.  "You think you could loan that get-up 
to Elsa this evening?"
         "No way," Elsa said.
         "Can't lend it," Frankie piped up.  "Harrigan's been powerfully 
naughty and I must punish him all night tonight."  Frankie was quite 
forward for his size.  A dwarf, he stood only three and a half feet tall, 
and the oversized red wool ski cap atop his head only emphasized his 
childlike aspect.  The sleeves of his pullover sweater were rolled up to 
the elbow of the fabric, but Frankie's fingers barely managed to clear 
the cuff.
         Frankie continued to cavort about Harrigan as the man seated 
himself behind the wheel of the van and started the engine, wrapping a 
cord around Harrigan's thick neck in a playful attempt to strangle him.  
Marvin sat nonchalantly in the seat beside Harrigan.  He gazed through 
the cracked windshield at the chromium walls that snaked away into 
eternal twilight.  Behind him Perry was quoting to Elsa from St. 
Jerome.  Flaherty popped open a can of beer and gulped down its 
contents as he rummaged through a set of makeshift wooden cabinets 
for a snack.

C O M I C  U P D A T E  N E W S
presented by holy joe

WILSON THE BUM

         There are three types of homeless people in this world.  There is 
the Hobo, which is a migratory worker.  Then there is the Tramp, which 
is a migratory non-worker.  Finally, there is the Bum, which is a non-
migratory non-worker.  This I learned recently from my researches at 
the Phenix City library.  Learning this, I decided to investigate certain 
personalities of the small press, to see which category they fit into 
(and to justify peeking into Carol Horny's window!)
         Rick Howe Ñ a Hobo.  Migrating from South Carolina to Columbus, 
with plans to move on to Sacramento, but working at McDonald's.
         John Jones Ñ a Tramp.  Migrating from Philly to a trailer park in 
Phenix City, never gainfully employed (except by the government), and 
always one step ahead of the law due to his "art" photos.
         p.d. Wilson Ñ a Bum.  Never going anyplace, and never working 
either.  (I think he accidentally wired himself to his junkyard computer 
and can't get loose, but that's no excuse.)
         Carol Horny Ñ Welfare Queen, and purveyor of living room 
performance art porno shows, which she doesn't know has a nationwide 
audience, thanks to my VHS Handicam.
         A. Holer Ñ I was going to list this AOL a-hole as a Bum, but 
recently he threw away all his Penthouses and became gainfully 
employed!  (As the Regional Coordinator of the Boy Love Society.)
         
NOTE:  The premier issue of Comic Update is posted on 
alt.comics.alternative.  It is the issue for May 10th.  It consists of 
three parts:  COMIC UPDATE (Part One), COMIC UPDATE (PART TWO), and 
COMIC UPDATE (PART THREE OF THREE).

ROLLER PUBLICATIONS  Founded 1972.  Continuously publishing since 
1986.  Send a stamped, self-addressed return envelope (preferably a 
greeting card-type envelope) to us for the latest FREE hardcopy issues.  
(Including material never seen on the Internet!)  
         Or send $1.00 cash and we will supply the envelope.  Order from:  
Jim Corrigan, P.O. Box 3663, Phenix City, AL 36868.  
         Send comix, news, letters, and poems to Jim Corrigan.  
         Our titles:
         COMIC UPDATE  The latest small press comix news and reviews.
         NAUGHTY NAKED DREAMGIRLS  Sex kittens in compromising 
positions.  (Include an age statement-18 or over.)
         DREAMGIRLS WITH SHAMAN  America's most popular poetry zine.  
ALL poets are urged to contribute frequently!
         THE ORATOR  Militant views by misguided mortals.

END OF TRANSMISSION

Subj:  Comic Update, May 11, 1995 (Matt Feazell, Wilson the Bum)